If you missed the panel today, then you missed out. I was very pleased with it. But the good news is that you can still watch it. Here.
Behaving Badly at the Hugos
I would imagine that everyone has now seen the outrage that accompanied the CoNZealand Hugo Award Ceremony. If you haven’t, the short version is that a fabulous list of winners and some really great acceptance speeches were completely overshadowed by a couple of old men grandstanding.
Before I get into the detail, I want to mention one of the acceptance speeches. Neil Gaiman won a Hugo for the television version of Good Omens. In his acceptance speech (Farcebook link) Neil spoke about how he made the series as a favour for his friend, Terry Pratchett. Terry, despite being hugely loved by fans all over the world, never won a Hugo. He was a finalist once, but declined the honour. This was not, as Neil explained, because he didn’t care, but because he cared too much. Terry wanted a Hugo so badly, and was so convinced that he’d never win one, that the mere thought of being a finalist was too much for him. That’s how much Hugos mean to people in our field.
The theme for last night’s 3.5 hour marathon bore-fest was Hugo history. George Martin and Robert Silverberg regaled us with stories from Worldcons past. In that vein, I would like to take you back to LA Con IV in 2006. That convention too had chosen an aging writer to have an important role in the ceremony. The writer in question was Harlan Ellison, who had a far bigger reputation for shooting his mouth off than either Martin or Silverberg. By the end of the evening, the social media of the time was incandescent with fury over something that came to be known as Gropegate. Here’s what I wrote after the event.
It was clear right from the start that Harlan was planning to behave badly. It was just that no one quite realized that behaving badly would include trying to swallow the microphone and groping one of Connie’s breasts during the ceremony. Harlan, I suspect thought it would be funny.
That would have been Connie Willis, who was the Writer Guest of Honour and was also hosting the ceremony.
Fandom was incandescent with fury. And I went on to say the following:
What I do know for sure, however, is that every time Harlan’s name comes up in a convention committee discussion, any convention committee discussion, in the future, people will remember what he did in Anaheim and, if they have any sense at all, will not want anything to do with him.
At the time I had a fair amount of profile as a fan writer. I had nominations that year in Fan Writer and Semiprozine (I had taken Emerald City out of the Fanzine category). Consequently Harlan heard about what I’d written. We didn’t know each other, but he knew Neil Gaiman and Neil knew me. As a result, I got a phone call. We chatted for quite a long time, and I’m not sure that Harlan ever quite understood why what he had done was wrong. It was the sort of thing that men got away with routinely when he was younger. But one thing was very clear: Harlan, who had won eight Hugos himself, was mortified that his actions had damaged the reputation of the awards.
Contrast that with CoNZealand. What we seemed to have there was a couple of old men conspiring to take over the ceremony, disrespect many of the Finalists, and bore the audience to death, because they don’t like the sort of people, and the sort of works, that are winning Hugos these days. It was, it seemed, a deliberate attempt to cause controversy and drag the awards through the mud. Hosting the Hugo ceremony is an honour, and should be treated as such. Many other people, including high profile names such as Neil Gaiman, John Picacio and Garth Nix, have done the job, and taken it much more seriously.
It doesn’t just stop there either. There was the incident where the introduction to the Best Fancast category concentrated solely on podcasts, despite the fact that one of the Finalists, Claire Rousseau, uses video rather than audio. The CoNZealand Chairs said in their apology that this was an error, and the CNZ staffer responsible has apparently owned up and apologised. But equally I have been in Claire’s position where people were saying that I should have been disqualified because I was using the wrong sort of delivery system. And when people see such obvious disrespecting of Finalists elsewhere, the natural assumption is that every such incident is deliberate. Bad behaviour elsewhere poisons all other interactions, even when a genuine mistake has been made.
Of course people will claim that Hugo winners have taken to making their acceptance speeches political. They are winners; that gives them a lot of licence. And mostly it is their own reputation at risk. Jeannette Ng did so and got a Hugo for it, which I think shows that she hasn’t lost much over it.
But when you are hosting the ceremony, it is not just your reputation that you damage if you misbehave. You sully the reputation of the convention, of all the people who worked so hard to make it happen, and of the country that is hosting the convention. Most of all, you sully the reputation of the awards themselves. Harlan understood that. I’m not sure that Martin and Silverberg do.
ConZealand – Day 4
I have watched some good programming. I can’t remember any of it. The only thing that sticks in my mind is the train wreck of a Hugo Award ceremony last night. As a measure of just how angry I am, I haven’t even looked at the stats yet.
I have been trying to see what future Worldcons and bids are saying about online features. Sadly most of them seem to be taking the line of, “well streaming all of our in-person programming would be impossible so we can’t have any online component.” I hope I don’t have to point out how disingenous that is.
Worldcon needs to change, but hardly anyone involved in running it seems to want it to.
Anyway, time to talk about last night. Separate post.
Green Man News
I’m delighted to report that The Green Man’s Silence is now available for pre-order on Amazon and Kobo. Barnes & Noble should follow suit very soon. Here are some links:
But that’s not all. Amazon has decided to put The Green Man’s Foe on sale in the UK for the whole of August. So if you haven’t read book #2 in the series yet, you can pick it up early and get it read before the new one drops.
And given that all this is going on, we have put The Green Man’s Heir on sale in the UK at £1.77 (which is the new £1.99 since VAT on ebooks was zero-rated), just in case there’s anyone out there who doesn’t have a copy.
A Streamyard Test – Cheryl & Kevin at Worldcon
Because I will be using technology new to me for the CoNZealand Fringe panel on Sunday, I decided to run a test with Kevin. We had a brief chat about how we are enjoying Virtual Worldcon so far. It all went very well, and you can see it below. I so wish I had known about StreamYard when I was doing the One25 fundraiser. It is exactly what I needed.
CoNZealand Fringe Update
Panels at CoNZealand Fringe contine to happen. The team is working very hard. I’m paying less attention to them right now because the CoNZealand panels will vanish on August 9th while the Fringe one should be there for longer.
If you want to watch my panel on Sensitivity Reading, which starts at 4:00pm on Sunday, here is the YouTube page:
CoNZealand – Day 3
Yesterday morning I was up early for a translations panel because I’d promised the moderator, Kalin from Bulgaria, that I’d be available. I went straight back to bed afterwards.
Much of the rest of the day was taken up with fannish drama, and trans drama. I’m not sure which is worse.
The big event of the day was the Site Selection results announcement. To the suprise of no one who knows anything about Worldcon, Chicago beat Jeddah by 517 votes to 33. Yasser Bahjatt has been taking the whole thing remarkably well, all things considered. He’s also announced that he’s rolling the bid forward to 2026. Currently that’s unopposed, but I don’t expect it to be for long. Yasser seems to think that a large part of the value of the bid is to draw attention to Arabic SF&F in translation, which is surely a good thing.
In other bid news Nice has formally postponed their bid. While their statement in the Question Time session this morning talked only about COVID-19, I understand that they have also lost their venue because the newly elected Mayor of Nice has vowed to demolish it and build a new convention centre.
But, as one bid vanishes, new ones take their place. A group of Australian fans has launched a bid for Brisbane in 2025 (opposing Seattle). I’m really sad for the Seattle folks, because I seem to end up opposing their bids all the time, but I can travel to Brisbane and I can’t go to Seattle so I know who I am supporting.
Recordings of panels are now starting to turn up on the CoNZealand website. I watched the Masquerade over breakfast (it is quite short) and the Modern Criticism panel over lunch. Those were both on the big screen TV (giant Gary Wolfe with giant wine glass). However, I have discovered a very easy way to watch panels. If you have an iPad, download the app for The Fantasy Network. Log in with your CoNZealand email address, and everything is there.
Well, not quite everything, because panels are slow appearing. I gather that the automatic system for saving and uploading panel recordings doesn’t work, and CoNZealand staff are having to do it manually, which is slow and labour-intensive. Much sympathy to them.
New Salon Futura
Here we go again. The new issue of Salon Futura went live on Wednesday night. Here’s what I have on review:
- The Sunken Land Begins to Rise Again by M John Harrison
- Mordew by Alex Pheby
- The Empress of Salt and Fortune by from Nghi Vo
- Scarlet Odyssey by CT Rwizi
- Of Dragons, Feasts and Murders by Aliette de Bodard
- Exhalation by Ted Chiang
- Season one of Doom Patrol
I have also written a length article about how WSFS might change to become more responsive to fans, and to help fans feel more part of the organisation. It seems to have been well-received thus far, but writing means nothing if it isn’t followed up by action.
CoNZealand – Day 2
First up, we had a very successful party. Huge thanks to all who attended, and to Kristen and her team running the CoNZealand parties.
A lot of yesterday was taken up with preparing for the party, but I did get some time to see programme. The Representing the Other panel was very good, and led to some very lively discussion on Discord afterwards. I also watched the Conventions in the Age of COVID-19 panel, and the The Future is Female panel.
The big event last night was the Retro Hugo and Sir Julius Vogel Awards panel. Unfortunately there were major bandwidth issues with the stream and I bailed early on so as to reduce the load. Kevin stuck with it so as to be able to tweet from the official Hugo Awards feed.
This year’s Retro Hugo Award trophy is gorgeous. You can find out more about it here.
The results of the 1945 Retros can be found here. I was very pleased with the recognition for Margaret Brundage and Leigh Brackett. There has been anger expressed about the awards going to Campbell and Lovecraft, but results like this are inevitable with the Retros because most people don’t take an interest in them. According to the official statistics, only 120 people participated at the Nominations stage, and only 521 in the final ballot. If Worldcons can’t drum up more interest in the Retros then they should stop doing them (they are optional, after all).
The Green Man’s Silence Cover
For those of you who were not at Worldcon (and missed a great party), here is the cover for The Green Man’s Silence. Juliet read briefly from the book at the party, but it is still in edit so it won’t be out immediately. I’ll be opening pre-orders shortly, but it won’t be out until September.
In the meantime, enjoy Ben Baldwin’s beautiful artwork.
Getting to the Wizard’s Tower Party
Now that I have had a chance to attend a party at CoNZealand, I know a lot more about how they will work. If you are planning to attend, here are some pointers.
The easiest way to find the party is through Grenadine. If you select the Schedule tab and then Thursday you will find us right at the top of the list. The title is “Parties: 30 July, party band #2”. It is at the top of the list because it starts at 7:00am on Thursday in New Zealand, even though it is still Wednesday for most of us.
If you click on that programme item you will find a Zoom link button. Go through the usual process of starting a Zoom event.
That will take you to a main room where the friendly CoNZealand party staff will direct you to the party you want to join. There are three other parties happening at the same time, so you need to get to the right one.
Zoom’s features for this sort of thing are not great, but CoNZealand has come up with a clever trick to help get people into party rooms quickly. Each party is assigned a number. You need to edit your name in Zoom to put that number in front of your name. We are party #1 (obviously). So if your name is “Kevin Standlee”, you would edit that to “1 Kevin Standlee”. Once you have done that, the party staff can press a magic button and you will be teleported into the Wizard’s Tower party room. You can edit your name back to normal once you have arrived.
As a reminder, the rough schedule (in UK times) is as follows:
- 20:15 – Tate Hallaway (Lyda Morehouse) reads and does Q&A
- 21:15 – Juliet McKenna reads and does Q&A, plus we reveal the cover of The Green Man’s Silence
- 22:15 – I read from a forthcoming collection by Croatian author, Aleksandar Žiljak, which we wll be launching at the Eurocon in Rijeka in October
See you all soon.
One more thing. If you still can’t find us, Info Desk in Discord may be able to help, but in an emergency write something anywhere in Discord including @Parties and one of the party still should get pinged and come to help.
CoNZealand Fringe – Day 1
Fringe is underway as well. We don’t quite have 24-hour programming, but there is now something for people in Europe to watch. And you can too. Claire Rousseau has created a YouTube playlist of the panels we have had thus far. You can find it here.
I only had time to watch the Modern Fanzines panel, which I thought was excellent. Here it is.
By the way, links for watching future panels are not all available yet. They will go up in good time.
CoNZealand – Day 1
The first ever virtual Worldcon is now fully underway and fans all around the world are getting to grips with the technology. It is a massive learning curve for all involved, but it seems to be working quite well, and certainly much better than many people feared.
The big issue is that there simply isn’t a suitable software package to do the whole thing. It needs Grenadine to run the programme, it needs Zoom to run the actual meetings, it needs Discord for the social side, and a few other things as well. But we are learning. Hopefully I will be able to report back in more detail when the dust has settled.
In the meantime, we have had opening ceremonies, which Kelly and Norm did a fine job of hosting. That included the Hugo base reveals. I’m not sure if they are public yet, but they are gorgeous. New Zealand has done the Worldcon community proud there.
I have also watched a few panels, and attended a party. So far so good.
Coronavirus – Day #135
Worldcon is underway. So far so good.
The new Salon Futura is almost ready to go.
Today was also my weekly shop day, the first one since masks became obligatory in England. Much to my surprise, all of the customers were wearing them, and no one was making a huge fuss about it. Quite a few of the Tesco staff did not have masks, but I’m assuming that they are all getting regular testing so the only people they are putting at risk is themselves. It isn’t ideal, but it is so much better than I’m hearing about from the USA, and ever elsewhere in the UK.
Welcome to CoNZealand Fringe
As promised, here’s details of the other thing I am doing for Worldcon. This year it has a Fringe. This is not organised by CoNZealand itself. Rather there is a bunch of European fans who offered to put on something in our daytime.
I got involved with this because I am very keen on developing online conventions so that we can make Worldcon truly international. I totally understand why CoNZealand isn’t doing 24-hour programming, but if people can help them do that then why not? Also Claire Rousseau, who is one of the organisers, has a lot of experience of streaming and has introduced us to some software I wish I had known about before I did the One25 fundraiser.
I gather than there has been some fulminating on File 770 about how WSFS and CoNZealand are going to sue us into oblivion for violating their trademarks. Kevin and I have had a good laugh about this. And given that the Fringe team have been in regular contact with CoNZealand’s programming team, I don’t expect Norm & Kelly to be upset either.
Anyway, the panel I am definitely doing is on sensitivity reading. That’s on Sunday at 3-4am NZST (next day); 4-5pm BST; 11am-12pm EDT; 8-9am PDT, with Mike Carey, iori Kusano, Yvonne Lin, Corinne Duyvis. I think that will be great.
I am also currently down for a panel on awards, but I will probably be making way for a PoC panelist because we are trying hard to have really diverse programming.
The full list of panels is here. Please note that panel line-ups may change.
Coronavirus – Day #134
I am now definitely into Worldcon mode. I might be still in the UK, but most of what I am doing is either online with New Zealand or doing prep of some sort.
That does incude the new Salon Futura, which I hope to get online tomorrow or Wednesday. It will probably ruffle a few feathers.
Combine that with the fact that there’s a silence protest on Twitter today and tomorrow, as a result of which I haven’t been checking it much, and I have no idea what is going on in the outside world. I can’t even comment on the cricket as today’s play was washed out.
But hey, Worldcon! Have at it.
Worldcon Schedule
Here we are again. Well, here we are virtually. I am signed into the CoNZealand web presence and Discord sever. Other people are arriving from all over the world, so I am doing the British thing of complaining about our weather.
But what will I be up to at Worldcon? Well, I am not on any panels. Huge thanks to Kalin from Bulgaria for heroic attempts to get me into a translations panel, but I entirely understand that with a virtual con people can’t easily be added to a panel at the last minute.
However, I am running a party. Believe it or not Wizard’s Tower Press is 10 years old. Also we have stuff to promote. The party will be in Band #2 on Thursday, which is 7:00-10:00 in the morning on Thursday in New Zealand. That means it is 20:00-23:00 on Wednesday in the UK. For my own sanity I’m going to use UK times from now on. Apologies to people elsewhere.
There will be entertainment. Here’s the approximate schedule:
- 20:15 – Tate Hallaway (Lyda Morehouse) will read and answer questions about her work, in particular Unjust Cause.
- 21:15 – We will reveal the cover for The Green Man’s Silence. Juliet McKenna will read and answer questions.
- 22:15 – I will introduce a new short story collection by Croatian writer, Aleksandar Žiljak, which we will be publishing in October with a launch at Eurocon in Virual Rijeka
There should be plenty of time for general chat as well.
Pre-orders for The Green Man’s Silence should go live sometime this week, after the cover reveal.
There will be more Worldcon news soon, but lots of stuff is still in the works so I can’t post yet.
Coronavirus – Day #132
Cricket, accounts, Worldcon prep.
Oh, and I binge-watched the final four episodes of Doom Patrol season 1. Wow was that good.
I’m trying to avoid the news because all of the hand-wringing over poor, oppressed people being forced to wear masks and dying as a result is getting a bit much. Before we know it, masks will have killed more people than the virus. You heard it first in the Daily Malice.
Talking of the virus, the official government stats has had the number of new cases per day at under a thousand since early June. Whereas this medical study group has the current number at almost 2,000 per day. I have no idea who or what to believe any more. The only thing that is hard to fudge is the actual number of people who die (of all causes) and that data runs at several weeks in arrears for obvious reasons.
Coronavirus – Day #131
Doing your accounts is boring. Thankfully I had plenty of distractions in the form of email and social media stuff needing addressing. Worldcon stuff is taking shape nicely.
Talking of Worldcon, there has been a lot of discussion of late regarding the unsuitability of the sites for current bids. Lots of people no longer want to travel to the USA, and the likes of Saudi Arabia and China are not warm and friendly alternatives. It is all moot to me. I couldn’t even go to New Zealand. But this is a serious problem, and not one that can be solved by insisting that Worldcon only be held in nice countries. Anyone with a Muslim-sounding name can tell you how silly that is. There has to be another solution, though I suspect that people won’t like it.
Also there is cricket. No rain in Manchester today. I can’t see that lasting for 5 days, but you never know.
Doom Patrol continues to be excellent.
Coronavirus – Day #130
I forgot to post again yesterday, didn’t I. In my defence, I was rather enjoying myself. I finally got to see the Danny the Street episode of Doom Patrol. If that means nothing to you, well Google is your friend. Or you can wait for the new Salon Futura in which I shall explain all. In any case, it was fabulous, and that rather distraced me from anything else last evening.
Things are happening with Worldcon. Announcements soon.
Apparently Bozo went to Scotland today. The SNP were celebrating like it was all of their birthdays rolled into one.