Trans Guys On Film

Today seems to be a day for films featuring trans people to turn up in my Twitter stream, so I thought I would pass them on.

First up we have Ryan Kennedy and Hazel Edwards talking about their book, f2m: the boy within, and about Ryan’s transition. I’ve had the pleasure of meeting Ryan and Hazel on my various trips to the other side of the globe and they are lovely people.

Next up is a brief update from the fabulous Fox. I’m seriously impressed that he has done a TED talk, and I can’t wait to see it.

And finally, here is Fox’s business partner, Lewis, giving his latest life update.

I guess a common thread throughout those films is the need for those of us lucky enough to be able to be out to represent the trans community to the rest of the world. As Fox says, the more of us there are, the more normal we are going to seem.

At the same time, Lewis is quite right, we need to be doing things other than being publicly trans. I love the idea of trans actors getting roles playing cis people. I mean, why shouldn’t we? (Cue various New Statesman columnists complaining about appropriation and how the horrible Tr*nnies are oppressing them again.)

Holdfast Does Diversity (includes me)

Issue 4 of Holdfast Magazine went online today. This is a diversity special. It includes awesome stuff like an interview with Stephanie Saulter, an Afrofuturism playlist, a letter to Octavia Butler, and even a contribution from me.

My article is titled, “There’s More To Me Than Crisis And Tragedy”, and it is all about how trans characters in books, even when authors make a determined effort to get things right, can still manage to portray trans people in something of a negative light. Of course given where we are starting from — either being ignored of laughed at — any attempt at a respectful representation is to be welcomed. But I do think that authors can do better, and I hope that they will. You can read the article here.

I suspect that one or two people reading that will think I’ve lost my mind, because all they will remember of Triton is the character of Bron. If you are in that group, I’d like to remind you that Sam is a trans character too. As I recall, Chip was living downstairs from a gender clinic when he wrote that book. He will have seen the full spectrum of patients, both good and bad.

It also occurs to me that I should have made mention of Sandra MacDonald’s lovely collection, Diana Comet and Other Improbable Stories. Diana is definitely a trans character who gets to do more than suffer.

Resurrection Code Resurrected

Resurrection Code - Lyda MorehouseBristolCon starts tomorrow, and it seems only appropriate that I should have a new book out for the local convention. Of course it’s not paper, but hey, it is a great book.

Resurrection Code is a prequel of sorts to Lyda Morehouse’s AngeLink series, in that it tells the story of how Christian El-Aref, a street kid from Cairo, grew up to become Mouse, the world’s most wanted cyber-criminal. However, the book also has scenes that fall after the end of Apocalypse Array in which older and wiser Mouse and Deirdre visit Cairo in search of Mouse’s past, and in an attempt to right a terrible wrong that Mouse committed as a teenager.

Lyda wrote about the book, and how important issues of gender are to the entire series, for the Big Idea series on John Scalzi’s Whatever blog. Lyda didn’t know much about Trans people when she started writing the series. Of course then she met me, and many others. Inevitably ideas evolved. Resurrection Code was part of that process.

But in Trans politics things move very quickly. When proofing the book it became clear to me that there were a few things that could have been done better, and a few where the terminology used was outdated. So Lyda and I worked together to make some small but significant changes to the text. Doubtless in 10 years time it will all be out of date again, but we tried.

Anyway, the entire series is now available, so why not check out this stunning review from Alyx Dellamonica at Tor.com. My feelings about the series are pretty much the same as Alyx’s, which is why I was so delighted to get to publish it.

The book is available in the Wizard’s Tower store. It will appear in other stores in due course as their schedules (and the Piranhas’ obsession with publication rights) allows.

I ♥ @JanetMock

Today the Tangled Roots writing workshop that I featured on my radio show is happening in Bristol. I won’t be there, partly because I am way too busy, and partly because my experience of mixed cultures is insignificant compared to what people of color face. However, I have just seen a great interview on the Larry King show with Tracee Ellis Ross (that’s Diana’s daughter) about her new comedy series, Black-ish. It is good to see US TV exploring these issues in such a positive and high-profile way.

What really impressed me, however, was that Larry didn’t do the interview. He handed the job over to Janet Mock.

So this is what we have: a trans woman of color, standing in for Larry King, doing an interview with a top actress, on a subject that is nothing to do with being trans, and doing a superb job of it.

Possibility model, Janet. Possibility model.

The interview is online, but doesn’t appear to be embeddable. You can watch it via Tracee’s website.

On My Art Want List

Heliogabalus, High Priest of the Sun - Simeon Solomon
Yesterday my colleagues at Out Stories Bristol hosted a superb talk by Frank Vigon on the subject of the unjustly forgotten Pre-Raphaelite artist, Simeon Solomon. Solomon was Jewish, and therefore at a huge disadvantage to start with in Victorian society. However, he was also a genius, and therefore despite his Jewishness he was welcomed into the Pre-Raphaelite Brotherhood. Or at least he was until 1873, when he was convicted of “attempted buggery”, after which Victorian society, and his artist colleagues in particular, dropped him like a stone.

The fact that Solomon was gay could easily have been discerned years before thanks to his penchant for painting pretty boys, lesbian scenes, and love triangles involving two men and a woman. Given his subject matter, I wondered if he had ever painted a portrait of someone like Stella Boulton. I asked Frank, and he said he didn’t know of one, but that didn’t mean it did not exist. When I got home I stared searching online. I had no luck with Stella, but I discovered that Solomon had done a magnificent watercolor of the transsexual Roman emperor, Elagabalus. The painting’s title says it shows Elagabalus as High Priest of the Sun (she was also known as Heliogabalus), but I am sure that most people looking at the picture would assume it shows a woman. The whims of emperors are, of course, notoriously difficult to predict, but I suspect she would have liked it.

At any rate, other people liked it. According to Rossetti, Edward Burne-Jones described it as one of Solomon’s finest works. If I have understood the Christies website correctly, the painting last sold to a private collector for £26k. However, there are many online stores offering fine art prints, so I guess I will have to get myself one. Anyone out there got experience of using such companies and would like to recommend one?

I’ll write some more about Simeon Solomon tomorrow.

Kizzy & I Talk Trans for #SpiritDay

I was delighted to be able to mark Spirit Day by appearing as a guest on Kizzy Morrell’s show on Ujima talking about trans issues. Kizzy kindly let me do pretty much a trans 101. It wasn’t quite as slick as I would have hoped, but I was fairly pleased with it. Of course I haven’t listened back to it yet, and doubtless I will cringe at some of it.

Anyway, I got to enthuse about fabulous people such as Laverne Cox, Janet Mock, Isis King and Geena Rocero. I also got in a plug for the Dwayne’s House appeal. Job done.

You can find the interview on the Ujima Listen Again service here. I start about 22 minutes in and I am on for most of the rest of the show. In due course I’ll excerpt it and put it in a podcast.

Some Kickstarter Recommendations

Because I’ve been distracted for the past few months I have not been keeping up to date with the various crowdfunding projects going on. I want to remedy that now. Here are three that I think are worth backing.

First up is Temporally Out Of Order, a themed anthology to be edited by Joshua Palmatier and Patricia Bray. It is a launch project for a new publishing house, and they have a bunch of fine authors lined up to contribute, including Laura Anne Gilman and Seanan McGuire. I noticed it because one of the stretch goals will be to add a story by my good friend Juliet E. McKenna. She writes about the genesis of her story here. If you fancy the sound of the anthology, and in particular if you want Juliet’s story to be included, go here and back it.

Next we have my good friends at Clarkesworld who have an amazing project going to add stories translated from Chinese to the magazine. They’ve already hit their target for the Chinese stories, but their first stretch goal is to establish a fund to pay for stories translated from other languages. This is a fabulous project, so please do back it.

Finally, a project that I’ve known about for what seems like years, and which is finally happening. Sarah Savage, one of the stars of My Transsexual Summer, has written a book for kids called Are You a Boy or Are You a Girl? Fox & Lewis have done a great video for Sarah, so I’ll just leave it to her to explain what the book is all about. Have a listen, then go back it here, please.

Brighton*Transformed Published

One of the things I had to miss this week was the launch of Brighton*Transformed, the history of trans people in the city that was produced by many of the same people that are behind Trans Pride. The book is now available, and my copy is on order. Here’s some blurb:

Trans identities are often neglected, re-written or even erased from formal histories. Brighton Trans*formed features, in their own words, the rich variety of Trans lives in Brighton & Hove today; it preserves previously untold stories for future generations, and is a much-needed exploration into the diversity of gender expression within the city.

You can learn more about the book, and order it, here.

A Well Desereved Award

In today’s email was the happy news that this year’s Burbank International Film Festival has given the prize for Best Feature Documentary to Better Things: The Choices of Jeffrey Catherine Jones. I blogged about the film here and here. Thanks to the crowdfunding campaign, I have a DVD of the film, and I am not in the least bit surprised that it is winning prizes. Maria Paz Cabardo has made a brilliant film about a great artist, and a brilliant film about a trans person. You can buy the DVD here.

Rainbow Jews Crowdfunder

My friend Surat Knan is running a crowdfunding campaign to help support their Rainbow Jews project. If you have any interest in LGBT history, and in particular if you do so and are Jewish, you may want to support this project.

One of the uses of the money will be to allow the Rainbow Jews history exhibit to tour around the UK. Surat and I have briefly discussed bringing it to Bristol at some point. We’ve also been taking an interest recently in the work of the Jewish Pre-Raphaelite painter, Simeon Solomon. More of that in due course.

To learn more about Rainbow Jews, and support the crowdfunder, go here.

Trans Pride Podcasts

The last of the broadcast material from my Trans Pride coverage aired last Thursday so I am free to podcast the full, unedited version. This has the full interviews with Fox & Lewis, with Nicole Gibson, and with Bethany Black. It also has several more interviews, the whole of the opening address by Caroline Lucas, MP, and lots of vox pops. The magazine article mentioned by Sam towards the end of the show can be found at WHM Magazine.

Alice Denny’s poem, “Normal/Questions”, deserves a podcast all of its own. Alice only got one take, as is a little emotional towards the end. Also we got heckled by seagulls. However, there’s no mistaking the raw power of the words.

The Trans Stuff at Worldcon

Today there was an academic program section that included a paper on trans characters in science fiction. It was given by Paul Ballard, and I went along to see what he had to say. I was completely floored when he opened up by recommending that people read this. It is a bit outdated now. I need to do a new version.

Paul works with a trans youth group in Kent so he knows his stuff. Like me, Paul is concerned that trans people are being misrepresented in fiction because of a desire by cis writers to use them for entertainment, or to make political points. He made an interesting point that for a character in a novel to count as trans that character should have a specific will to change in some way; it was not enough to have forced change, or change that is entirely natural of the character. I need to think a bit about this, in particular with reference to people who see themselves more as gender-fluid, but it could be a useful distinction.

Mention of characters that shift genders naturally brings us naturally to The Left Hand of Darkness. Paul noted that the Gethenians really aren’t trans people in a Terran sense. I noted, as I often do in such discussions, that it can be read as a book about Trans Panic; that is the discomfort (and sometimes murderous rage) that cis people can develop when confronted by a trans person whom they thoughts was cis. Also giving a paper in the session was Jason Bourget, whom I had previously met when we were on a trans issues panel together in Montréal. Jason is a Le Guin scholar (and presented a good paper on gender in The Dispossessed). He noted the debate over the fact that Le Guin had used male pronouns for the Gethenians, and said that the Trans Panic reading only works when male pronouns are used. If female pronouns had been used, Genly would need to be gender-swapped to female (and probably made a Radical Feminist) for the same reading to work.

By the way, trying to read a paper which talks about trans people and transhumanism, which are two very different things, is very difficult. We need new terminology.

Bethany Black & Alice Denny on Shout Out

The podcast of last night’s edition of Shout Out is now available, and it contains a lot of my Trans Pride coverage. In particular there is material featuring Bethany Black and Alice Denny.

Alice had written a new poem especially for Trans Pride. She kindly gave me a private reading of it so I could get good quality for the broadcast. It is a really powerful piece.

Beth, for those of you who don’t know, has landed a supporting role in a new Russell T. Davies TV series, which is sort of a modern day Queer as Folk. Beth plays a trans woman in the show, which will be the first time a trans person has played a trans person in a British TV drama. There’s not a lot that she’s allowed to say about the show, but she did give me a great interview which we have used a lot of on the show.

I’ll be posting about an hour’s worth of Trans Pride material to my gender-related podcast feed when I get the time during this crazy road trip.

On Depression and Suicide

The desperately sad news about Robin Williams today has resulted in a flood of comment on social media. Much of it, inevitably, is foul. Much more, however, is well intentioned but simplistic. Depression, like so many things in life, is complicated. Neat maxims that fit into 140 characters cannot and will not be suitable for all cases.

One thing I’d like to note is that sometimes talking isn’t enough. Heck, I went through several days of being unable to talk. Drugs helped. It may well be that I would have got better without the drugs. I haven’t done a control experiment to find out, and I have no intention of doing so. But I was very grateful for the drugs at the time, and I did get better.

The other important point is that people are not always just depressed. They may well be depressed for a reason. A September 2012 study found that 48% of British trans people had attempted suicide (sample size, 889). A similar study from January this year found that the number for the USA was 41% (sample size, 6,456). Those people were probably depressed (though maybe not clinically so), but that wasn’t all that was wrong.

When trans people attempt suicide it is often because they are facing being homeless and unemployed. It may be because they have been disowned by their family and abandoned by their friends. It may be because they have been bullied and humiliated by social services staff when they asked for help. It may be because they are afraid to leave home because of the harassment they get from their neighbors. And, for example in the case of Lucy Meadows, it may be because of vile things that have been said about them in the national media.

This is why what the BBC is up to at the moment is utterly reprehensible. Last week on Woman’s Hour they gave a lot of air time to a notorious “radical feminist”. Sure they had a trans women on as well for “balance”, but it is hard to get your point across when what your opponent says is full of lies and distortions; and doubly hard when what you say is constantly called into question by suggestions that you are dishonest, dangerously violent and mentally ill.

Last night Newsnight tried to pull a similar ambush. The trans people involved (including Paris Lees) declined to participate once they realized that they were being set up for the modern equivalent of bear baiting. This is now apparently being spun by media “feminists” as “intolerant”, censorship and even “aggression” on behalf of Paris and her fellow intended victim.

So yeah, sometimes people do commit suicide because they are clinically depressed, and they can be helped by drugs and psychiatry. Sometimes, though, they commit suicide because their simple right to exist is constantly under question in the national media, which quickly leads to harassment in daily life. There is no point telling such people that they are wasting their lives, and that things will get better, unless you actually do something to ensure that their lives are likely to get better.

The good news is that things actually have got better. My life, since transition, has been far happier and more successful than I ever expected. Social change has been rapid. Change, however, inevitably brings backlash. If we don’t want trans people to kill themselves, we need the media to stop using them as punch bags for entertainment.

Perceptions of Sub-Genre

I’ve been seeing a few comments lately about how books by women don’t get seen as belonging to certain sub-genres even though they appear to fit the criteria. N.K. Jemisin was asking yesterday why her latest series is not seen as Grimdark, given the amount of slaughter that goes on. And here Vandana Singh (who teaches theoretical physics) talks about her relationship with Hard SF.

Obviously that’s her personal take on the issue, and I pretty much agree with all of it, but I’d like to add a couple of my personal observations.

Firstly I suspect that many people have come to identify Hard SF with the “written with wooden dialog, cardboard characters, stereotypes of gender, race and sexuality, and ‘as you know, Bob’ infodumps” stereotype that Vandana mentions. Women tend not to write stories like that. They are far too interested in people. And consequently, when they do write Hard SF, it doesn’t get recognized as such because it doesn’t conform to the stereotype, even though the science itself might be brilliant.

In addition I suspect that women writers of Hard SF are held to a much higher standard than male writers in the same sub-genre. Let me explain by means of a personal anecdote. Before I transitioned, if I came across a programming problem I could not solve I was quite happy using support services, online forums and so on. After transition I quickly realized that using such things was a waste of time, because nothing I said would be believed or taken seriously. That wasn’t because I had suddenly become a bad programmer, it was because I now had a female name. As a result of that, my ability to do technology would always be called into question by most males that I encountered.

I suspect that the same is true of women trying to write Hard SF. Historically, boys have been brought up to believe that they are much better at science and technology than girls, and that’s an easy story to maintain if you segregate them in all-boy schools. (Don’t try to pretend to me that this doesn’t happen. I was raised a boy, remember?) If someone brought up in that environment encounters a woman who is good at science or tech, he’ll feel that his masculinity is threatened if he can’t somehow prove her wrong. And that means questioning the “hardness” of SF by women.

By the way, this can work the other way around to some extent. I spent a lot of time studying fashion as a kid because I knew I was missing out on girlhood and wanted to plug the gap. These days I occasionally meet women who seem threatened by the possibility that I might do femme better than them. Or at least regard me as some sort of performing animal that can do things that should not come naturally to it. Gender expectations are a total pain.

Trans History Is Not White

Yesterday Juliet Jacques had an article in the New Statesman about the supposed “debate” between radical feminists and trans women. (It is an interesting form of debate — the TERFs want us dead, and we just want them to leave us alone.) The article is, in most ways, fine writing which makes clear the dishonesty, spite and bigotry at the heart of the TERF cause. However, in tracing the history of trans people, Juliet focuses solely on events in Western Europe and the USA, dating from the late 19th Century. This gives a very distorted view of trans history.

The first firmly documented evidence of a trans person is the Roman emperor, Elagabalus. According to the historian, Cassius Dio, Elagabalus enjoyed dressing as a woman, referred to his handsome charioteer as his “husband”, and offered a fortune to any doctor who could provide him with female genitalia.

The date that the Kama Sutra was written is a matter for scholarly debate. It may be older than the Roman Empire, or it may not. Either way it makes reference to gender identity. In the section on fellatio it notes that some eunuchs adopt a male gender performance while others adopt a female gender performance.

The existence of trans women in India — Hijra, Aravani and other terms depending on the language — dates back at least to the time of the Kama Sutra, and probably much longer. Other Asian civilizations have their own traditions of gender variance. The Kathoey of Thailand are probably the best known. Kabuki theatre in Japan may also have provided an outlet for gender-variant people.

In her autobiography, Redefining Realness, Janet Mock notes that Hawaii had a tradition of gender variance before the arrival of Europeans.

To be mahu was to occupy a space between the poles of male and female in precolonial Hawaii, where it translated to “hermaphrodite,” used to refer to feminine boys or masculine girls. But as puritanical missionaries from the West influenced Hawaiian culture in the nineteenth century, their Christian, homophobic, and gender binary systems pushed mahu from the center of culture to the margins.

Other Polynesian cultures have their own versions of gender variance. In Samoa the term used is Fa’afafine.

Across the Pacific, many Native American cultures also had traditions of gender variance. Once again many different terms are used. One of the most commonly seen today is Two Spirit. I am fairly confident that research would turn up gender variant traditions in the pre-colonization cultures of Africa and South America as well.

Traditions of trans men are much less common, presumably for the same reason that trans men attract relatively little attention in our culture. Trans women are almost always seen as being far more socially transgressive, and therefore more notable. However, the Sworn Virgins of Albania form an example of a tradition that makes space for trans men in society.

The way in which gender identities are constructed in other cultures can be quite different from the accepted medical model of transsexualism that we are used to in the West. This is hardly surprising, because the form that gender variance takes will be necessarily dependent on the way in which gender is perceived by the host culture, and on the level of medical technology available.

Many Hijra identify as Third Gender rather than male or female. Pakistan (yes, Pakistan, a predominantly Muslim country) has had a law allowing citizens to register as Third Gender since 2009. Nepal and India have since followed suit.

One thing that the West might regard as unique is the use of advanced medical technology, in particular the use of hormone therapy and plastic surgery. However, Hijra have been undergoing castration for centuries, so medical intervention is hardly new.

There are many reasons to acknowledge the existence of gender variance in non-white cultures. To start with white people ought to stop claiming to have invented things when they clearly have not done so. Much more importantly, the vast majority of trans women murdered each year because of their identities are non-white, and we should not erase them by appearing to present being trans as largely a white phenomenon.

In this particular instance, however, it is also important to present the long history of gender variance outside of white cultures because a fundamental axiom of the TERF cause is that being trans is a modern creation of a medical industry at the service of Patriarchy. They see this as a direct response to the rise of feminism, which is generally taken to be an invention of white women from the 20th Century. (Go back and read The Female Man to see some of these ideas spelled out fairly clearly.) Once you are aware of the long history of gender variance in other cultures, the fatuousness of their claims is apparent. Trans people have always been with us, even in cultures far more misogynist in many ways than our own, and even when no medical industry existed to create them.

The Leaky Trans Umbrella

It is hardly surprising that the outpouring of joy that was Trans Pride last weekend has been followed by a barrage of attacks on trans people by white feminists. What I have found interesting is the form that those attacks have taken.

For a long time these people have complained bitterly about how badly they are oppressed by trans folk because we call them rude names. (They call for us to undergo aversion therapy and be denied human rights, we call them names; they are clearly far more oppressed by us than we are by them.) They don’t like being called TERFs because, well, the whole thing is a nonsense. Of course they are radical feminists but, they hold, trans women are “really” men, so excluding them from feminism is like excluding tarantulas from the group, kittens.

Most of all, however, they don’t like being called “cis”. Now “cis” is a piece of standard Latin that is the opposite of “trans”. It will be familiar to anyone who has studied chemistry, or the history of Gaul. It has been used to describe people who are not trans at least as far back as 1914. But according to the TERFS (oops, sorry, did it again) “cis” is a hate word recently coined by trans activists for the express purpose of oppressing them. It is, apparently, a slur.

As Roz Kaveney pointed out on Twitter yesterday, if we called them “squidges” they would claim that was a slur. If we called them fluffy bunny-wunnies they’d call that a slur too.

Last week, however, the TERFs (Bad Cheryl! No biscuit, Cheryl!) have started to claim that they can’t be cis because they too are victims of gender-identity-based oppression.

To understand how this can happen you need to know a bit about what we call the Trans Umbrella. It is a catch-all term for people who identify in some way outside of social gender norms. You see, we can’t just have “trans” mean people who have undergone full gender re-assignment surgery. There are people who, for a variety of good reasons, are unable or unwilling to do so. There are also people who identify as third gender, or non-gendered, or intersex, for whom no surgical options (and in most cases no legal protections exist). All of these people deserve the support and siblingship of those of us who do happen to conform closely to the medical profession’s standard trans narrative, and one of the triumphs of both Trans Pride and the My Genderation films is their acceptance of this broad spectrum of transness.

Also included under this umbrella are some people who still identify with the gender that they are assigned at birth. Typically they are male cross-dressers — either drag queens, who do so openly and flamboyantly, or those who do so privately at home, or in cross-dressing clubs.

There are many reasons for accepting such people under the umbrella. It is always difficult to know where to draw the line. Drag queens often identify as female when in their female persona. In years past being a “female impersonator” was one of the few jobs open to trans women (April Ashley and Amanda Lear both did this). And many men who are trying to come to terms with their complex feelings about gender start out by cross-dressing and come to realize that there is more to it than that.

What about female cross-dressers? Well, there are drag kings, who are absolutely welcome under the umbrella. There is less need, however, at least in Western society, for women who wish to express a masculine side through clothing choices to do so in secret. If a woman cuts her hair short, wears trousers (pants) instead of skirts, or goes without make-up, it is unlikely to affect her employability or social status that much. Certainly not in the same way as would affect a man who wanted to go to work in a dress, high heels and make-up. There is an imbalance of prejudice; and one that is rooted in the sexist notion that a woman who wants to be more like a man is expressing admirable ambition, whereas a man who wants to be more like a woman is insane.

There are, of course, female-bodied, female-assigned-at-birth people who identify as “genderqueer”. I know a few, and am perfectly happy with that. I have a suspicion that these days there are some young women who are politically genderqueer in the same way that some radical feminists are politically lesbian — that is they embrace the term because it makes them sound more oppressed, but they reject the practice. However, what the TERFs are now proposing goes way beyond even that.

(OK, you are busted, girl. One hundred lines for you. Write out, “I must not call the TERFs “TERFs”.)

The current proposal is to make the umbrella so leaky that it lets in everything and keeps out nothing. It states that every woman who is opposed to gender-policing in society — every woman who hates pink, or who doesn’t want to be a princess, or who prefers short hair, or doesn’t like being addressed as “dear”, or has bridled at sexism in any way, at all, ever, is in fact not “cis”, because she allegedly has a non-binary gender identity.

It is a bit difficult to understand what they are trying to achieve by this. Although they claim to be not cis, they certainly don’t want to be called trans. Indeed, I get the impression that the only terms they would find acceptable are things like “normal women” or “real women”, because in their eyes any term that does not implicitly state their superiority to trans women is a slur.

What I suspect they are doing, besides mess with trans people’s heads, which for them is as much a favorite pastime as trolling is for the mens’ rights gang, is trying to get the vast mass of women angry about the term “cis”. The message they are trying to get across is, “if anyone calls you ‘cis’ they mean that you do not suffer from sexism”. That, of course, targets every woman on the planet (yes, even that Mrs. Windsor doubtless has a tale or two). And by doing so they hope to a) make the term “cis” useless and b) get lots more people to hate trans women and their allies.

In addition they may be trying to indicate that this is all there is to being not cis. That is, the only negative consequences of having a female gender identity are those consequences faced by all women. As a result of which, trans women cannot be any more oppressed than anyone else. Because, as we all know, there is no one in the universe more oppressed than the rich, middle-class, white feminist forced to subsist on a constant diet of lobster and Bolly lunches.

My heart bleeds for them.

On a more positive note, I found this post about Trans Pride very interesting. I suspect that Andie is being a bit unfair to Sparkle. I’ve never been to it. While I understand that it did start out as more of a party for male-identified cross-dressers than anything else, it appears to have evolved into something much more. Besides, I am inclusionary by nature. However, I think Andie’s point about Trans Pride being a place where we don’t have to feel ashamed of who we are is spot on. That’s still where trans rights are in this country.

Introducing Transambassadors

When I was on my way to Brighton last week I was made aware of a new trans-related film project that sounds very interesting and positive. Here’s the story behind it.

Jack (Jaakko Jaskari), a Finnish filmmaker, was in the Philippines where he met and fell in love with a local girl called Char (Charlese Saballe). But Char was no ordinary girl, she was a Chair of STRAP, a Philippine trans advocacy group. Jack and Char hope to move to Finland and get married, but they also want to share their story with the world in a short series of documentary films. Those will doubtless cover Char’s work in trans advocacy in the Philippines. And if the project goes well, they hope to make more films in other areas of trans advocacy.

Eventually they will be looking for people to contribute financially to the project, but right now they are looking for people who can join a team and devote time and effort to helping make the project happen. It’s not something I can do — I am way too busy, and Fox & Lewis said pretty much the same thing — but possibly some of you folks would be interested in helping out. You can learn more here.

And here’s a short video about the project featuring our hero and heroine.

Trans Pride on Shout Out Radio

The good folks at Shout Out Radio ran some more of my Trans Pride coverage on their show last night. Yesterday, in London, Fox & Lewis were at at Channel 4 for the launch of the Patchwork Project, a series of 25 films about trans people. They were kind enough to talk to be about the project last Saturday, and your can hear that interview here.

Here’s a short video that the guys put out as a trailer for the project. It includes a brief section with Nicole Gibson, the trans model whose interview I ran on Women’s Outlook on Wednesday.

The boys have also put up a brief video shot during Trans Pride. There’s a brief shot of my back at the beginning, but the rest of it is safely Cheryl-free.

Today on Ujima: Comics, Bristol Pounds, Kids & Trans Pride

First up on today’s show was Lorenzo Etherington, the art half of Bristol’s highly successful comics creation scheme, the Etherington Brothers. Lorenzo and Robin work primarily on books for comics kids, but comics are comics no matter who they are aimed at. Lorenzo and I shared our mutual love of Calvin & Hobbes.

The next segment saw me talking to Steve Clarke of the Bristol Pound, our city’s very own currency. I restrained myself from talking economics. My thanks to my colleague, Judeline, for playing the part of the Woman in the Bristol Street.

You can listen to the first hour of the show here.

The second hour opens with a group of kids who have been working on the National Citizenship Project. Most of them were a bit shy, but they told me how they put together a charity fundraising event in just a week so they clearly have a lot of talent.

Finally I ran some of the audio from Trans Pride. It includes parts of the opening ceremonies — featuring Fox, Sarah Savage, Steph Scott & Caroline Lucas, MP — and an interview with trans model, Nicole Gibson. Judeline sat in to do her Woman in the Bristol Street thing again.

You can listen to the second hour here.

The playlist for today’s show was as follows:

  • Dance Apocalyptic – Janelle Monáe
  • Beat It – Michael Jackson
  • Simply Irresistible – Robert Palmer
  • 10 Out of 10 – Paolo Nutini
  • Let’s Dance – David Bowie
  • Lose Yourself to Dance – Daft Punk
  • Electric Avenue – Eddy Grant
  • Bright Side of the Road – Van Morrison