Charlotte Bond, who is part of the fabulous team that does the Breaking the Glass Slipper podcast, and also the fearless copyeditor for Airship Shape & Bristol Fashion II, has been doing a series of blog posts about princes. What do people want in a fairytale prince these days? Several people have offered their opinions. Here, for example, is Anna Smith Spark, whom I’m pleased to see has something sharp and deadly in her photo. And here is David Tallerman whose favourite prince is Utena Tenjou. I mean, who can argue with that?
Well, I can, obviously. As far as I am concerned there is only one prince in it. I think you can probably guess who it is.
I started out with a visit from my good friend Tamsin Clarke. We kept our clothes on this time. As you may recall, Tamsin is from Venezuela. She has been putting together a festival of Latinx culture called PapayaFest. It will feature Tamsin’s theatre productions and a great line-up of bands and DJs. Because Tamsin has such great topics for her plays we ended up talking about Simón Bolívar, matriarchal families and the current state of feminism in Latin America.
Next up I was joined by Karen and Erin from Bristol Law Centre. They have come up with an interesting new way of funding employment discrimination cases and they wanted to get the word out there. I was pleased to be able to point out what good work they do, and how necessary they have become because of the current government’s actions designed to make recourse to the law something that is only available to the very rich.
Guest three was my friend Esme who has got involved with mushrooms. They really are fascinating life forms, and most people have no idea how many types of fungi there are, or how crucial they are both to the ecosystem and to many modern industries. There will be a Fungus Day at Arnos Vale Cemetery on Saturday, which I’d be very tempeted to go along to if I wasn’t booked elsewhere.
And finally I ran part of the interview I did with Ellen Datlow at TitanCon. This extract includes how she got her job at Omni, what “best of the year” means, who is the only writer ever to have scared her, and why she once turned down a story by Margaret Atwood. The full interview will run in Salon Futura at the end of the month.
You can hear the whole show via Ujima’s Listen Again service here.
Some of you are in Ireland already, and many more are on the way. Obviously there is Worldcon to look forward to, and a fair amount of Irish history (particularly if you count yourself as part of the diaspora), but many of you will be interested in that thing that Ireland is justifiably famous for: alcohol.
I don’t know what the convention centre bars are like, but if they are rubbish I suspect that a lot of us will end up in the Porterhouse on Temple Bar. It happens to be just a short walk from my apartment, and as I recall it is the traditional Dead Dog location for Octocon. Anyway, they will have a good selection of microbrews.
Then there is the matter of whiskey. Are there distilleries? Yes, there are. Can you visit them? Of course. Here’s a quick guide.
First up, don’t bother with Jamesons. I understand that they don’t actualy make whiskey in Dublin any more, and in any case what’s the point in looking for whiskey that you can buy at home. Also Bushmills is in Ulster. Wait until you get to Belfast before asking for that. Thankfully Dublin has seen an explosion of craft distilleries in recent years.
The Tourist Information lady I talked to in Dublin back in February recommended Pearse Lyons and Teeling. My local whiskey shop in Bath added Liberties and Dingle. And there’s also Roe & Co, which I know nothing about. All of these places are right in the centre of Dublin in and around the Liberties district, so south of the river and west of the castle.
If visiting all of those places seems like a bit much, you should be able to get an overview of the field at the Irish Whiskey Museum. You can sample what’s available at the Dingle Whiskey Bar (at least I hope you can, they do have a connection to the Dingle distillery so they may be a teeny bit biased). And you can buy bottles to take home from the Celtic Whiskey Shop.
Most of these distilleries are quite young. I think they all have product available now, but it won’t have had much ageing.
That should keep you all busy during your trip. However, there’s one more place that I’d like to visit if I have the time. That is the Irish Rock ‘n’ Roll Museum. I don’t suppose it is entirely devoted to Horslips, and Thin Lizzy do deserve a place. I gather that there’s another Irish rock band that is quite famous too. Anyway, it seems like fun.
Today I was in the studio at Ujima with lots of studio guests.
First up I welcomed Graham from My Burrito, a fabulous Mexican eatery in Bristol. We had a great chat about the glories of Mexican food. I was hungry by the end of it, as were Ben, my engineer, and Keziah, the studio manager. You probably will be too.
Next in the hot seat was Tom Denbigh, Bristol’s first LGBT+ Poet Laureate. I met Tom at an event that was part of Bristol Pride and loved the poem he read so I knew I had to get him on the radio. Sadly Ofcom rules about swearing on air rather limited what he could read. It’s about time the regulations caught up with everyday speech.
Guest three was Heather Child, who was no problem to interview as I had already done it last week at her book launch. We talked again about The Undoing of Arlo Knott and the various places where you can find out more about the book.
Finally I was joined by Jon Turney from Zero West to talk about local renewable energy projects.
Much of the music I played was inspired by my time doing the live coverage of Bristol Pride. The full playlist was:
Today’s Women’s Outlook show was one of those where it seemed mostly calm on the surface, but it was all frantic paddling underneath. Yesterday I had one of my guests drop out, so I had a half hour to fill. Thankfully the pre-recorded interview I had would stretch to three segments, and I had enough to talk about to fill the final one I needed. Also Ben, my usual engineer, was unavailable, and the replacement we had arranged was unable to come in, so I ended up with an emergency holographic engineer. Huge thanks to Mikey who did a great job for me.
We began the show with Aled and Acomo from Brigstowe, a local charity that specialises in HIV/AIDS issues. They are one of two charities in England who are running pilots with PrEP, the drug which can protect you from HIV if you take it before having sex. PrEP is already widely available in Scotland and Wales, but as Aled explains the English authorities have fought tooth and nail to prevent it being made available. Now that the courts have forced the NHS to do some trials, Brigstowe needs help getting them done.
They are looking in particular for women from marginalized communities who are willing to get trained on the use of PrEP and can then go out into their communities to srpread the word. They’ll be working closely with my pals at One25 to make sure the drug gets to sex workers, who are some of the people who need it most. They are also very interested in recruiting trans women.
The pre-recorded interview with was Amal El-Mohtar and was made while we were at Åcon. We talked about a range of issues, but obviously there was particular focus on the forthcoming book, This is How You Lose the Time War. I loved this book. There will be a review coming soon.
As I had a bit of time to fill I played a couple of songs with Nordic connections. I have probably enthused about the Swedish electrojazz duo, Koop, before, but I should mention that the particular song I played had guest vocals from Ane Brun who is Norwegian and Sami. She has also worked with Peter Gabriel, taking Kate Bush’s part on “Don’t Give Up” when he was touring.
I also played the Miike Snow song that Amal mentions during the interview. The core of that band is Swedish too. If you are intersted in the very gay video for the song, you can find it here.
Finally on the show I was joined by Cai and Amie from Paper Arts who are a wonderful organisation that helps young people start a career in the arts.
You can listen to today’s show via the Listen Again function on the Ujima website.
It was a busy show on Women’s Outlook today, and I didn’t cope as well as I might have done. Apologies again to Ben the Engineer for the various screw-ups which, hopefully, we managed to cover up during the show.
Anyway, we had guests, starting with Lynne from the NHS talking about their ongoing cervical screening campaign. As she explained, testing is very effective and the majority of cervical cancer cases can be cured before they get serious. Screening can help with other issues too. Of course there are all sorts of reasons why people might be nervous about the screening, but hopefully Lynne will have set people’s minds at rest, including those of trans guys. If you still have concerns or questions, Jo’s Trust are the people to talk to.
Next up we had Lisa Whtehouse from Interculture along with a lovely lady from the Ivory Coast whose name I think is Anamita, but I’ve not seen it written down (Lisa, please correct me if I’m wrong). Interculture is doing great work bringing cultures together. They are helping an empowering immigrant women, and I’m delighted that they want to do an event in Pride Week.
My third guest was Amran from CASS, a local mental health charity. She wanted to promote their campaign for Mental Health Awareness Week. The My Body Can campaign encourages people to think of positive things that your body can do, even if it is ony giving your friends a hug. The idea is to get people thinking positively about themselves, and to share that positivity on social media.
Thinking of which, my body can grow breasts naturally, given sufficient estrogen. I’m amazed at the number of people who think that trans women all have breast implants.
And finally, I ran an an interview with the fabulous Ardel Haefele-Thomas from San Francisco who is the editor of Introduction to Trandgender Studies, in which I have an essay. We talked about Ardel’s work as a lecturer at a community college, about the gentrification of San Francisco, and about the Orange Monster.
The latter includes Gareth L Powell and Virginia Bergin as well as myself; and Dr Sam Rogers from UWE who is a lecturer in English – my how the world has changed.
I also talked about a fundraising campaign I am doing for the lovely people at One25. I’ll be writing separately that very shortly. And I had a bit of a rant about the nonsense meted out to poor Caster Semenya today.
You can listen to the show via the Listen Again system here.
It was a radio day for me today. I barely got the show together in time having been away over the weekend and had much of yesterday hijacked by the Hugos, but I got there in the end.
In the first half hour I played an interview I did over the weekend with Sue Sanders, the founder of Schools Out and LGBT History Month. There has been a lot of talk here in the media about the need for a return to something called Section 28, which attempted to ban the mention of anything to do with LGBT people in schools. Thankfully Parliament has refused to turn the clock back, but lots of the people I get in training courses have never heard of Section 28 so I figured that having Sue, who was in the forefront of the fight against it, explain what went down, would be useful.
Next up I had a studio guest, Elias Williams of ManDem, an arts organisation for young black men. Last week I had been on a panel on the future of feminism at UWE (along with the brilliant Finn McKay). Elias had been on it too, and having heard him speak I knew I wanted him on the radio. Young black men are routinely demonised in the media, and it is wonderful to have someone so articulate and sensible standing up for them.
In the third slot I rambled about the Hugos. There are loads of black writers on the ballot this year, and people of colour in general. In particular 3 of the 6 Lodestar finalists are written by black women, and the Campbell finalists are mostly women of color, and one non-binary person of color. This is very promising for the future.
And finally I played part of my interview with Rachel Rose Reid from the LGBT History Month event in Bristol. This was about the Arthuian legend, Le Roman de Silence, which is basically 13th Century French feminist fantasy. It really is remarkable how modern the themes of that book are. I note that Rachel will be in Bristol again with the show on April 28th. Sadly I’m teaching one of Cat Rambo’s writing courses that evening. She’s also in Frome on the 12th, but that’s sold out. Phooey.
You can listen to the whole show via the Ujima Listen Again service here.
The playlist for the show is as follows:
School Day – Chuck Berry
We Are Family – Sister Sledge
It’s a Man’s World – James Brown
Word Up – Cameo
Pynk – Janelle Monáe
Crazy, Classic Life – Janelle Monáe
Mirror in the Bathroom – The Beat
Ali Baba – Dreadzone
My thanks as always to Ben, my engineer, and to all of my guests.
Many of my academic friends will know about this project already, but the rest of you will want to catch up too.
Modern Fairies is a collaboration between artists and academics to bring fairy tales into the 21st Century. That’s not re-writing and updating as you might get in a novel, but rather bringing back the stories and performances. The academics are providing the tales, and where necessary the translations from Old English and context. The artists are looking at narrating and performing these stories for a modern audience.
Phase 1 of the project has been a series of podcasts that introduce us to the major themes and stories. It addresses tales of people being kidnapped by amorous fairies, and fairies being kidnapped by humans; of changelings; of helpful fairies who assist the poor; and of loathly ladies who torment handsome knights. One of the presenters is Professor Carolyne Larrington who, in addition to being an expert on mediaeval literature, also wrote this fine book on the myth and history behind A Song of Ice & Fire.
Phase 2 is over to the artists, who will be putting on Fairy Gatherings around the country throughout the summer. There will be music and performance. One of the writers involved is Terri Windling.
And finally it will be back to the academics at the end of the year for a second series of podcasts looking back on what was done, and how it was received.
Look out, Britain. Fairies are coming to a town near you. And, dear Goddess, we could surely do with some right now.
I began today’s show with some extracts from Marlon James’ Tolkien Lecture. You can listen to the whole thing here.
The second segment was an interview with Chloe Tingle of No More Taboo, the period poverty charity. We talked about how Bristol is leading the way in tackling period poverty, about a course that Chloe will be running in Bristol next week, and about how a film about periods won an Oscar. If you want to go on the course, booking details are here.
In segment 3 I was joined in the studio by Harry Silverlock of the Palace International Film Festival, queer film festival which originated in Poland (in an actual mediaeval palace) and is coming to Bristol next week. It sounds like a really great event. I’m particuarly pleased with how diverse the selection of films is.
Finally I was joined by Lisa Whitehouse who has an International Women’s Day event on Saturday to promote. It is going to be at Hannah Moore Infants School on Saturday but there’s an issue with the Facebook presence right now so I can’t link to it. The most important think is that Lisa assures me it is trans-inclusive, unlike certain other IWD events I could mention.
The music today was largely devoted to remembering the great Jackie Shane who died peacefully in her sleep last month aged 78. It is good to know that some trans women of color can live long lives. Here’s the full playlist:
The whole of today’s show on Ujima was devoted to LGBT History Month.
I began with some interviews I made at the event in Taunton on Saturday. These were with Steven from the Taunton Gay Group Alex from Somerset Libraries, who organised the event; and finally with Caroline Paige, an absolutely amazing lady who transitioned while serving as a pilot in the RAF and continued on active service after her transition. Anyone who flies helicopters in a war zone has my utmost admiration.
For the second half of the show I was joined in the studio by two guests. Firstly there was former Bristol MP, Stephen Williams. We talked about his time as one of the few openly gay MPs, and also about our shared love of LGBT History. The blog post on LGBT+ heritage sites that he talked about is here.
Stephen will be the headline guest at our LGBT History Month Event at M Shed on Saturday Feb. 16th. The full line-up of speakers is available here.
My second guest was author Alan Robert Clark who has written a novel about Queen Victoria’s grandson, Prince Eddy, who was involved in a gay sex scandal. There’s a bit more about the book, Prince of Mirrors, on the OutStories Bristol website.
You can listen to the show for the next month via the Ujima Listen Again service here.
All of the music for the show was by black LGBT artists, except for the new Saara Aalto single which I played because it is a charity fundraiser for Mermaids. Here’s the playlist:
Yes, it is that time of year again: Hugo neepery time. Over the past few days I have seen several people talking about nominating Janelle Monáe’s Dirty Computer. There has been much confusion over categories, so I’m here to explain.
As with the clipping material that was on the final ballot for the past two years, Monáe’s music belongs in the Dramatic Presentation categories.
The dividing line between Long Form and Short Form in these categories is 90 minutes (as stated here). So Dirty Computer is definitely Short Form, no matter which version you nominate.
Which version? Ah yes, here is the difficulty. “Dirty Computer” is the title of two different things. There is Dirty Computer the album, which is composed entirely of music, and there is Dirty Computer the Emotion Picture, which is a short film about an android called Jane 57821, and which features most of the songs from the album.
One of the things about the Hugos is that Hugo Administrators very rarely make public pronouncements about eligibility. That means we have to second guess them. I’m not privy to the inside of Nicholas Whyte’s brain, but I am fairly sure that he will view these two versions as separate works. One is solely a piece of music, the other is a film with a script and actors. They are both eligible in the same category.
Now of course you could always nominate both of them. You have six slots, after all. But if you are also filling your ballot up with episodes of Supergirl and a whole lot of lesser TV series (me, biased, surely not?) then you might not have space for both.
I’m going to ask you, if you only have space for one, to nominate Dirty Computer the Emotion Picture. Why? Because I think it has wider appeal than just the album. Fans of the music will love it regardless, and those who want something more substantial than a concept album will have the movie (starring Monáe and Tessa Thompson) to consider as well.
Your ballot entry should therefore be for: Dirty Computer the Emotion Picture; Janelle Monáe, Andrew Donoho & Chuck Lightning; Wondaland.
Donoho and Lightning are the directors, Monáe wrote all of the music and, as far as I know, the script as well.
On, and if you want to watch the film before making up your mind, you can find it on YouTube. It isn’t embeddable so you’ll need to click through. And you’ll need to log in to see it because it contains naughty words and sexy stuff.
It is ridiculously hard to get people into the studio in the first week of January, because most of them won’t even look at their email until that Monday. So I was happy to have a bunch of interviews pre-recorded that I could run for this week’s radio show. It was good for Ben too because we have moved studios. While the new desk has all of the same controls, they are in different places, and that takes a bit of getting used to. It is like switching from a left-hand-drive to a right-hand-drive car.
The first hour of the show had an interview with Tade Thompson that I recorded at FantasyCon, and one with Joy Francis from an organisation called Words of Colour, which was recorded when she was in Bristol to give a talk in December.
In the second hour I have the interview I did with Maria Dahvana Headley when she was in Oxford. This is pretty much solid feminist ranting from both of us. And finally there is an interview with Joanne Harris that I recorded at FantasyCon.
The show is available through the Ujima Listen Again service here. The raw interviews were all longer than I had time for in the show, particularly the one with Maria. I’m planning to post longer versions on Salon Futura once the Listen Again links have expired.
The play list for this week’s show was:
Janelle Monáe – I’m Afraid
Angélique Kidjo – Once in a Lifetime
Des’ree – You gotta be
The O Jays – Love Train
Janelle Monáe – Heroes
Bruce Springsteen – Badlands
Bat for Lashes – Seal Jubilee
Camel – La Princess Perdue
The February show will, of course, be an LGBT History Month special.
More of the “that time of year” thing. This time it is the review of the year posts on the Aqueduct Press blog. The lovely folks at Aqueduct keep asking me to write these things, so I keep doing them. This year I was a bit late due to the Austria trip, but my contribution is up at last. You can find it here.
Yes, it is that time of year again. And so, as is traditional, here is a little ditty from the fabulous H.P. Lovecraft Historical Society. Be careful out there, little cultists, you never know what you might summon.
Yesterday’s show was supposed to start with my interviewing fellow Ujima presenter, Sandra Gordon, about a maternity rights event taking place in Bristol soon. Unfortunately circumstances intervened and I had to spend half an hour talking about maternity all by myself. It isn’t a subject I know a huge amount about, having never been pregnant myself. Fortunately I was saved by my friend Laura Wood because I could talk about her amazing book on the mental health issues that can arise from childbirth.
Sandra did arrive in time to get on the show briefly, but I had to hurry her up as it was time to talk to Ben Shorrock of TechSpark who is trying to get a grant to help diversify the tech start-ups being created in Bristol. The article we discussed can be found here, and if you want to vote for Ben’s project you can do so here (but you only have until Noon tomorrow, UK time). Inevitably Ben and I ended up talking about women in tech, and why women make better programmers than men.
You can listen to the first hour of the show here.
Next up I welcomed Jenny Stringer, a local journalist who has been doing a project to highlight opportunities for women in the construction trade. That doesn’t just men being a brickie. Women can also be electricians, or plumbers (like mine, hi Penney!). Anything men can do, women can do too. And more importantly you can earn twice as much as an electrician than as a beautician. Get to it, girls!
Finally I ran a pre-recorded interview with La JohnJoseph who was coming to Bristol to run a workshop on queer mental health. I went along to the event in the evening and it was a lot of fun. Huge thanks to JJ for doing this, and to the Wellcome Foundation for funding the project.
You can listen to the second hour of the show here.
I was in the studio today for a very special edition of Women’s Outlook. The entire show was co-presented by, and produced by, my good friend Olivette Otele.
If you have been following my tweetage you will know that Olivette has recently been appointed Professor of History at Bath Spa University. For non-UK readers, that’s a big deal, because here only the most senior academics can call themselves Professor. Olivette is the first black woman to become a professor of history in the UK.
Most of her work to date has centered on colonialism and slavery, but for today we chose to look further back in time to showcase some of the people of colour from Africa who interacted with Europe in the past.
The chap in the picture at the top is Joseph Boulogne, the Chevalier Saint Georges. He was a military man, an accomplished fencer, and also a brilliant musician. He was so good at music that he became Marie Antoinette’s music teacher, and we played one of his compositions during the show. I was delighted to discover that he once fought an exhibition duel in London against the famous French trans woman, the Chevalier d’Eon. Olivette also informed me that during the French Revolution he fought alongside the father of Alexander Dumas (hands up everyone who didn’t know that the creator of the Three Musketeers was black).
Today’s show began with two wonderful guests from the University of the West of England. Noor and Josie are part of a small group who are pioneering an organisation called Equity within the university that will help Black & Minority Ethnic students get the best out of their education, and find good jobs afterwards.
As we all know, the academic system, and the jobs market in the UK, discriminates against anyone who doesn’t fit the default stereotype of white and male. However, much can be done by finding role models, or as I prefer possibility models, that give people the confidence that they can beat the system and suceed in life. I’m delighted to find that UWE is the first university in the country to actively try to help BAME students in this way. If you happen to be a Person of Colour who works in or near Bristol, please take a look here to see forthcoming events where you can help inspire these students.
Now if only we could do something similar for trans students…
My second guest was Jo-Jo from the gender-neutral clothing company, Max Tariq. It is, apparently, Bristol’s first and currently only such label. Jo-Jo and I chatted about the philosophy of gender neutral clothing. We discussed how such clothes could be for anyone who foudn them attractive, and how “gender neutral” doesn’t mean dull and vaguely masculine. We also talked about making clothing climate-neutral.
The Listen Again system is still playing up occasionally. You can listen to Noor & Josie here. Jo-Jo’s interview got dropped, but I have the archive recording and will be putting him up on the podcast soon.
Next up was Yasmin from the Mandala Theatre Company. She’s putting on a play called Castaways at The Station (the old fire station building in which Ujima’s studios are located) tomorrow night. It is a pay what you can afford event, so money is no excuse. If you want a ticket, or just to learn mre about the play, go here.
I kept the final half hour guest-free because I wanted to have a bit of a rant about the whole Kavanaugh debacle over in the USA. I chose some powerful feminist music to go with it. Along the way I also managed to talk about the WASPI fiasco with women’s pensions, and the awful two-child limit on tax credits.
You can listen to the second half of the show in full here.
I don’t have the time to keep up with my former colleagues at Clarkesworld as much as I would like these days, but I do keep an eye open for what they are doing. Today I’m delighted to report that the 2018 Small Press Award, given by the Washington Science Fiction Association, has gone to Suzanne Palmer’s “The Secret Life of Bots”. The story did win the Hugo for Novelette as well, but that news tended to get lost in the excitement around Nora Jemisin’s historic hat trick. This time around the glory is all Suzanne’s.
Also another former non-fiction editor of Clarkesworld, Jason Heller, will be appearing in Bristol in October. He’s going to be at Bristol Library on the evening of Monday, October 22nd, to promote his new book, Strange Stars. This is about the symbiosis between pop music and science fiction in the 1970s. It makes a perfect start to BristolCon week. Tickets are available here.
Today’s show was centred around a tribute to Aretha Franklin. I played a lot of her music, and I’m sure you are familiar with much of it.
I did run through the list of Hugo winners, because with several of the major fiction awards going to black women that’s very much of interest to my listeners. And I had a woman science fiction writer on the show. That was Anne Corlett whose novel, The Space Between the Stars, I very much enjoyed.
The Listen Again system malfunctioned again for that hour. Apparently it is some sort of BT issue. But we have the archived audio and I have podcast the interview with Anne so you can listen to it.
My second guest was slightly late due to Bristol traffic so I kicked off with coverage of the Women’s cricket. That included my interview with Raf Nicholson which I did between the two matches on Finals Day.
Then I spent a happy half an hour talking to Shauna Tohill of the all-girl rock band, REWS. She was lovely, and I love their music.
Also there was more Aretha.
You can listen to the second hour of the show here. I will podcast the interviews with Shauna & Raf in due course.
The playlist for today was:
Aretha Franklin – Say a Little Prayer
Rumer – Aretha
Arthea Franklin – Eleanor Rigby
Arthea Franklin – Bridge over Troubled Water
Aretha Franklin – Rock Steady
Whitney Houston – My Love is Your Love
Tina Turner – One of the Living
REWS – Shake Shake
REWS – Miss You in the Dark
Aretha Franklin – Respect
Aretha Franklin – Spanish Harlem
Aretha Franklin – Wholy Holy
And, thanks to the magic of YouTube, here are the two REWS tracks that I played.
Most of the time Worldcon doesn’t cause much of a splash in the country where it is held. It is often as much as we can do to get the mayor of the host city to take notice. Who cares about a bunch of nerds, right?
Sometimes, however, it is different. Kevin has fond stories of Winnipeg, where I believe that Worldcon was the biggest event held in the city that year. Helsinki too sat up and took notice. And now we have two seated Worldcons that are again in quite small countries.
New Zealand has set a high bar. When they won their bid they unveiled this video by their Prime Minister, Jacinda Ardern, welcoming Worldcon to her country.
That’s pretty special. After all, Ms. Ardern has won an election while pregnant, and given birth while Prime Minister. She’s clearly a force to be reckoned with.
Not to be outdone, at Closing Ceremonies yesterday the Dublin folks presented a message from the President of Ireland, Michael D Higgins. The message includes the following:
Ireland is a land which celebrates stories and imagination, and our Irish heritage has always been imaginatively interwoven with new cultures and new traditions. This is aptly reflected in our deep appreciation and appetite for speculative fiction.
Of course, just because you are a small country, it doesn’t mean that you don’t have a great science fiction tradition. Both countries are rightly proud of their film industries. Wellington, New Zealand, is home to WETA, who produced the Lord of the Rings movies. Ireland is also a favorite location for SF&F filmmakers. For closing ceremonies the Dublin folks produced this video.
What struck me about that video, however, was the music. You can hear part of a song from the legendary Irish rock band, Horslips. It is this song.
Dearg Doom is a song from their album, The Tain, which is a rock version of the famous Irish legend, the Táin Bó Cúailnge (The Cattle Raid of Cooley). The title means The Red Destroyer and is one of many songs on the album devoted to the hero of that legend, Cú Chulainn.
Horslips did two albums based on Irish mythology. The other, The Book of Invasions, is based on the Lebor Gabála Érenn (The Book of the Taking of Ireland). These two, are, in my humble opinion, two of the best rock albums ever recorded. If the Dublin committee can work with Horslips, that’s Opening and Closing Ceremonies pretty much sorted. They can open with this music, which announces the arrival of the Tuatha Dé Danann in Ireland.
And end with their departure.
This is probably a good time to remind you all that my friends Dimitra Fimi and Alistair Sims are editing a book of academic essays on the use of Celtic mythology in science fiction and fantasy. That should be available at Worldcon next year. The essay I have submitted does mention Horslips, but it is mainly about Patricia Kennealy-Morrison’s Keltiad books.