Surprisingly I can’t find a lot of photos of Toronto, but I do have a lot from my visit to the Museum of Inuit Art. It is one of the best art galleries I have ever seen. I’ve not bothered to try to comment on the images. The craft and artistry speak for themselves.
Here it is, folks! The fabulous Ben Baldwin cover for the new novel from Tate Hallaway, Unjust Cause.
Did you love Precinct 13? Do you just love contemporary fantasy in a crime setting with queer and poly characters? Hey, this book is for you.
Alex Connor thought that being the South Dakota Hughes County Coroner was going to be a boring, cushy job. She didn’t count on the fact that her first case would leave her with a magical, living tattoo and awaken her latent magical powers. Now she’s a full-fledged member of Precinct 13, a paranormal police unit, and is trying to make a life with her dragon familiar, Valentine. Just when things seem to be settling down, bodies start falling out of the sky… literally.
Publication will be on April 8th. I’m just off to set up the pre-orders. If you are interested in an eARC, let me know.
I spent much of today in Cardiff helping kick off a project to create queer history tours of the National Museum of Wales. This is being run by the fabulous Dan Vo who also created the similar tours at the V&A in London. The museum is mainly natural history and art, but there’s plenty there to talk about. I will have more to say about the queer stuff in due course, but today I want to highlight one of the more bizarre things I found in the museum.
Whenever I visit a museum I am always on the lookout for Amazons, so my interest was caught by this painting of a woman dressed as Diana herself. She has a bow and quiver, and even a little crescent moon headdress. Who was this woman, I wondered?
Well, her name is Diana Pryce (not Diana Prince), and her father was Sir John Pryce, the 5th Baronet of the Pryce family of Newtown Hall in Montgomeryshire. Sir John was what the museum descibes as a “well known eccentric”. This refers to the fact that he kept the embalmed bodies of his first two wives in his bedroom, until he got married for a third time and his new wife insisted that he got rid of them.
Wife three also pre-deceased him, whereupon Sir John hired a local faith healer, Bridget Bostock, to bring her back from the dead. Sadly the woman’s skills were not up to the task.
People had some very strange ideas in the 18th Century.
Today was my first day back at work that involved leaving home. I was back in the Ujima studios for another Women’s Outlook. It had been a bit of a challenge pulling this one together because no one was answering email before Monday, so I had two days. Nevertheless, we had some guests.
The first slot was empty so I played some music to talk about the unpleasant prospect of at least 5 years of the UK being ruled by Blue Meanies. I then played a few songs to send a message to a certain orange-faced person over in the USA.
My first guest was Carolyn from Bristol Women’s Voice. There was a time when people like me were distinctly unwelcome at that organisation, but I’m pleased to report that they have turned a corner and are happy to include all women again. Carolyn was particularly there to promote their Volunteer Network Event later this month, but we also discussed current campaigns, and of course the International Women’s Day event in March.
Next up was Helen from Royal West of England Academy. She was on the show to talk about the amazing Celebrating Black Queerness event coming up in February, and the associated Africa State of Mind exhibition. Celebrating Black Queerness is a joint event with Kiki, Bristol’s QTIPOC organisation, and will feature luminaries such as Lady Phyll and Travis Alabanza.
My final guest should have been Jo from Diverse Insights, but she suffered a transport malfunction on the way to the studio so I had to fill in for her as best I could. The event she was due to talk about is Screen Futures 2020, which is an amazing day of workshops for people interested in pursuing a career in television and radio.
You can listen to the show for the next few weeks via the Ujima Listen Again service.
Here’s the playlist:
- Ike & Tina Turner – A Little Help from My Friends
- Aretha Franklin – Bridge Over Troubled Water
- Angelique Kidjo – Once in a Lifetime
- The Temptations – War
- Culture Club – The War Song
- Eddy Grant – War Party
- Alicia Keys – Superwoman
- Chaka Khan – I’m Every Woman
- Little Richard – Good Golly Miss Molly
- Bessie Smith – A Good Man is Hard to Find
- Bow Wow Wow – TV Savage
- Andy Allo – If I was King
- Janelle Monáe – We Were Rock ‘n’ Roll
Publishers are strange people. We love books so much that sometimes we are drawn to extraordinary lengths to make them. Sometimes mere paper is not enough. And to illustrate the point here is something completely crazy that is currently being crowdfunded on Kickstarter. This is what the publishers, Beehive Books, have to say about it:
Bram Stoker made a radical experimental choice in the writing of his classic novel Dracula. He presented it as a collection of found documents — correspondence, newspaper articles, journal entries — painstakingly transcribed and compiled into the published book by his characters themselves. His experimental approach brings you directly into the story, and refracts it through countless points of view.
DRACULA: The Evidence is an entirely new way to experience Stoker’s masterpiece: through an actual physical research file full of ephemera, correspondence, clues and artifacts. It’s the entire original text of Dracula, presented as a gorgeously designed and curated briefcase full of maps, letters, diaries, newspaper clippings, telegrams, and phonograph records. We’ve teamed up with Dracula expert and Bram’s descendent Dacre Stoker to bring you the most immersive way imaginable to experience this modernist masterpiece of gothic horror.
Of course it is fantastically expensive. A copy of the “book” will set you back $400 ($350 if you get in on the early bird offer). I certainly don’t have that much money to splash, nor do I have anywhere to put the thing if I did. But the toothy Transylvanian has plenty of wealthy admirers and fanatical followers so I’m sure the project won’t have any trouble getting funded.
I am, of course, in awe of the ambition of the people who came up with this idea.
By the way, as I understand it, the putative Kickstarter staff union has asked people not to boycott the site just yet as negotiations are still underway. I do hope that the dispute is resolved amicably because I want to see more projects like this happen.
I was back in the Ujima studio today, and my first guest was friend and colleague, Dr. Jamie Lawson of the University of Bristol. Jamie has written a children’s book on LGBT+ history called Rainbow Revolutions. It is published tomorrow, and I’m very impressed with it. We had a great conversation about the use of the word “queer”, Section 28 and why people are worried it might come back, Ball Culture and the success of Pose, and so on.
Next up I dragged in Harriet Aston who roomed with me at Worldcon. It was her first big convention and understandably she was a bit overwhelmed, which makes her an ideal person to represent that first Worldcon experience. I was impressed that Harriet felt that she was swimming rather than drowning by day 4.
The rest of the show was devoted to women’s cricket and the triumph of Western Storm in the final year of the Kia Super League. I played my interview with Raf Nicholson, and passed on the latest news about the women’s part in the stupid new “The Hundred” series. It is possible that a new Western Storm might rise from the ashes of the KSL after all.
You can catch up on the show via the Listen Again service here.
The playlist for today’s show was as follows:
- Gil Scott Heron – The Revolution Will Not Be Televised
- Grace Jones – This Is
- Thin Lizzy – The Boys Are Back In Town
- Earth, Wind & Fire – September
- Bob Dylan – Shelter from the Storm
- Billie Holiday – Stormy Weather
- The Impressions – We’re A Winner
- Jim Steinman – The Storm
My next show will be on October 2nd and will feature an interview with Ellen Datlow that I recorded while we were in Ireland.
When considering when to do a cover reveal for The Green Man’s Foe, Juliet and I decided that the Summer Solstice would be an ideal time. The Green Man, after all, is deeply connected to the natural world. And frankly, he’s going to need a bit of sunshine to help deal with this guy.
When you do a good job for someone, there’s a strong chance they’ll offer you more work or recommend you elsewhere. So Daniel Mackmain isn’t particularly surprised when his boss’s architect brother asks for his help on a historic house renovation in the Cotswolds.
Except Dan’s a dryad’s son, and he soon realises there’s a whole lot more going on. Ancient malice is stirring and it has made an alliance in the modern world. The Green Man expects Dan to put an end to this threat. Seeing the danger, Dan’s forced to agree. The problem is he’s alone in a place he doesn’t know, a hundred miles or more away from any allies of his own.
A modern fantasy rooted in the ancient myths and folklore of the British Isles.
It is, of course, another genius piece of art by Ben Baldwin. Juliet and Toby-the-Editor are just putting the final touches to the text. And when they are done I get to do the layouts. I’m still planning on having the book available at Worldcon. Once I have everything I need in my paws I will put the book up for pre-order.
I spent the past three days in Germany (and traveling too and from). The main reason I was there was to give a lecture at the Academy of Media Arts in Köln. However, I did pay for an extra hotel night so that I could do a bit of sightseeing. Hopefully there will be photos up here soon. I did take a lot, but I need to find time to process them (and I know I haven’t done the Ghent photos yet).
What I can say is that Köln is a lovely city. Obviously it is most famous for the giant cathedral which, when you are up close, really does look as if it reaches all the way to heaven. However, there are lots of Roman remains (the city was a legionary base and later capital of the Province of Germania) and twelve Romanesque churches. Sadly the two main museums of Roman materials were closed for rennovations, but I saw enough to want to go back when they are open.
I can recommend the Rautenstrauch-Joest Museum which does a good job of being an anti-colonial ethnographic collection. It is also a themed collection. Anyone involved with the Pitt-Rivers Museum in Oxford should take a look.
I can also recommend the Lindt Chocolate Museum and its most excellent cafe.
My talk seemed to go down very well. It was filmed and will be available on the Academy website in due course. We also had a reporter from a local radio station in attendance. If you can understand German you can tell me what he thought of it as his report is already online.
Today’s Women’s Outlook show was one of those where it seemed mostly calm on the surface, but it was all frantic paddling underneath. Yesterday I had one of my guests drop out, so I had a half hour to fill. Thankfully the pre-recorded interview I had would stretch to three segments, and I had enough to talk about to fill the final one I needed. Also Ben, my usual engineer, was unavailable, and the replacement we had arranged was unable to come in, so I ended up with an emergency holographic engineer. Huge thanks to Mikey who did a great job for me.
We began the show with Aled and Acomo from Brigstowe, a local charity that specialises in HIV/AIDS issues. They are one of two charities in England who are running pilots with PrEP, the drug which can protect you from HIV if you take it before having sex. PrEP is already widely available in Scotland and Wales, but as Aled explains the English authorities have fought tooth and nail to prevent it being made available. Now that the courts have forced the NHS to do some trials, Brigstowe needs help getting them done.
They are looking in particular for women from marginalized communities who are willing to get trained on the use of PrEP and can then go out into their communities to srpread the word. They’ll be working closely with my pals at One25 to make sure the drug gets to sex workers, who are some of the people who need it most. They are also very interested in recruiting trans women.
The pre-recorded interview with was Amal El-Mohtar and was made while we were at Åcon. We talked about a range of issues, but obviously there was particular focus on the forthcoming book, This is How You Lose the Time War. I loved this book. There will be a review coming soon.
As I had a bit of time to fill I played a couple of songs with Nordic connections. I have probably enthused about the Swedish electrojazz duo, Koop, before, but I should mention that the particular song I played had guest vocals from Ane Brun who is Norwegian and Sami. She has also worked with Peter Gabriel, taking Kate Bush’s part on “Don’t Give Up” when he was touring.
I also played the Miike Snow song that Amal mentions during the interview. The core of that band is Swedish too. If you are intersted in the very gay video for the song, you can find it here.
Finally on the show I was joined by Cai and Amie from Paper Arts who are a wonderful organisation that helps young people start a career in the arts.
You can listen to today’s show via the Listen Again function on the Ujima website.
The playlist for today’s show is:
- Salt ‘n’ Pepa – Let’s Talk About Sex
- Marvin Gaye – Sexual Healing
- The Human League – The Lebanon
- Fairuz – Li Beirut
- Afro-Celt Sound System – Further In Time
- Koop – Koop Islands
- Miike Snow – Genghis Khan
- Janelle Monáe – Crazy, Classic Life
- Prince – Purple Rain
Next month I’m going to be giving a talk at the University of Köln in Germany. This is something that grew out of the event in Graz last year. There’s a web page up for the event now. It is in German, but quite a few of the words should be recognisable. The audience will be mainly arts students. It should be fun.
Many of you will be familiar with Utopiales, the big French convention that takes place in Nantes every October. Well this month they are coming to the UK. They are partnering with Maison Française d’Oxford, the French research centre in Oxford, to put on a 3-day conference. The dates are April 24-27.
Days 1 and 2 are the academic part of the event. You can find the full programme here.
Day 3 is more public-oriented and features three workshops. One of them is titled “The boundaries and territories of SF” and features three great writers, plus me. My estemeed colleagues are Stephanie Saulter (who needs no introduction), Emma Geen (who wrote the brilliant The Many Selves of Katherine North), and Jeanne-A Debats who, among other things, teaches Latin and Greek and is Art Director of Utopiales. I know Stephanie and Emma well, and I’m looking forward to meeting Jeanne-A (whom I shall doubtless bore with discussion of queer Romans).
In addition there is an exhibition of art from the 19 years of Utopiales.
It all sounds very splendid, and it is free. Hopefully I will see some of you there.
The lovely people at Trans Bare All are celebrating their 10th anniversary this year. Normally I would just point you at their website, but they are dealing with a little malware issue at the moment so I have just linked to their Twitter so you can see who they are. This is what I wanted you to read:
We want to mark the occasion by creating a book of art and writing that reflects some of what TBA is all about, and, as it is all about our community, that means we need you.
We are welcoming submissions of original writing and art on the theme of TBA and gender (perhaps what TBA means to you), or on gender alone, and we actively encourage not only those of you who regularly write or create art, but also those who might need a little encouragement.
You can write in any form you wish (poetry, prose fiction, life writing non-fiction etc) and, if your submission is accepted, you will have the chance to work with an editor to polish your piece for publication in the book. We are also welcoming submissions of visual art that explore the themes above – please see below for image specifications.
The workshop plan below will guide you step by step towards a piece of life writing with a creative approach, and you can also use these workshop exercises to generate ideas for a visual art piece.
- Following the TBA age limit, you must be 18 years or older by the submissions deadline
- You do not have to have attended a TBA retreat or party before
- You do not have to live in the UK
- Please submit your original work to email@example.com
- You must include the following in your covering email, as it helps us understand our community better and make our work more accessible:
- the name you want your piece published under
- your gender
- your ethnicity
- if you consider yourself to have a disability (no need to state what it is)
- your age on the submissions deadline
Deadline for submissions is 11.59pm Friday 8th February 2019
- submit your piece as a fully compatible Word document, or .txt if .doc is not possible
- 2000 word limit for prose (fiction and non-fiction)
- 80 line limit for poems (including stanza breaks), with maximum 60 characters per line (including spaces)
For visual art:
- Submit your piece as a high quality JPEG or TIFF file that is
- Sized for A5 publication, so 154mm x 216mm portrait, with no important images within 15mm of each edge as these may be trimmed off in print
- 300dpi (dots per inch) so it is at print-quality
- If text is incorporated into your piece, please ensure that it is legible at A5 size
- Please contact us if you need more detail about image requirements
- You can submit more than one piece of writing or art or both, and, if selected, our editors will choose their favourite piece for the book
- Submission does not guarantee that your piece will be included
- All submissions will be notified of our selection decision within eight weeks of the deadline. Please be patient – we are volunteers!
- if you want your piece attributed to ‘anonymous’ then please state this clearly in your covering email
- All accepted submissions will undergo an editorial process with our editors and designer
- All submissions must be free from publishing restrictions for the next two years. If your piece is currently published or under consideration elsewhere, please contact us to discuss.
- As we are an unfunded volunteer-run organisation, unfortunately we cannot offer a fee for accepted submissions; however, all contributors will receive a copy of the finished book!
There you go. Obviously a charity project, but hopefully some of you will take an interest. Good luck if you do.
My main interest in Vienna was the Kunsthistorisches Museum. I only had a few hours and of course I spent most of my time looking at ancient stuff. Frankly there was so much bling on show in the Hapsburg displays that it was rather overwhelming. I loved the automata though, and kudos to the museum for having tablet computers with film of each one working available.
Anyway, here are some photos. If you share my obsession with ancient history you’ll enjoy some of these. The gallery plugin I am using doesn’t allow for much descriptive text so do ask if you are interested in anything.
Here are some more photos from my trip to Austria. These are all from the city of Graz, where the conference took place. They include the Schlossberg, the precipitous, fortified hill in the middle of the city.
Graz is 2 hours by train south of Vienna. Part of the reason for the time is that the railway has to wind through the foothills of the Alps. It is not far from the Slovenian border, and only a few hours from Zagreb by road. A lot of the big buildings in the city were built by Italian architects, which gives the city something of a Mediterranean feel. The courtyards are a particular feature of the old town.
I still have a few, mostly elderly, friends and relatives to whom I send cards. I always buy my cards from my friend Dru Marland. The design I chose for this year is shown above. So for everyone who isn’t getting a phsyical card, here’s your holiday greetings thing. May you have a fabulous end of the year celebration.
And if you fancy buying cards from Dru, you can do so here.
The University of Bristol’s autumn art lectures series will focus, this year, on monsters. It will cover Frankenstein, Gogmagog, dragons, and a lot more. The full programme is available here. I’m too busy to attend all of them, but I’m going to make sure I am available for Ronald Hutton’s lecture on dragons.
The short lists for this year’s British Fantasy Awards have been released. Obviously there are a lot of my friends up for awards, including obvious candidates like Neil Gaiman, Sarah Pinborough and Mike Carey. There are also a whole lot of people from our little South West community: Emma & Pete Newman, Jo Hall & Lucy Hounsom.
I’m pleased to note that Gender Identity and Sexuality in Current Fantasy and Science Fiction, edited by Francesca Barbini, is up for the Non-Fiction award. That includes essays by both Juliet McKenna and myself. There is a review of the book in the new issue of Fafnir.
But what I am most pleased about is seeing Ben Baldwin in the list for the Artist award. Ben has done some great work for Wizard’s Tower over the weekend, including the covers for Shadow Histories of the River Kingdom (above) and The Green Man’s Heir.
Good luck, everyone!
Yesterday’s show was a bit thrown together due to my being in Oxford the night before, but I think I managed to make it work. That’s thanks in part to two great guests, and in part to the inimitable Janelle Monae.
My first guest was Harriet Aston who is a fellow member of a feminist SF discussion group based in Bristol. She’s a sculptor working mainly in industrial paper. She makes large figures that don’t yet move, but with enough magic might be persuaded to do so. We talked about how people view sculpture as compared to paintings, about theatre and the Greek Chorus, and about Harriet’s upcoming show at Centrespace. And because we are geeks we also talked about Catherynne M. Valente’s Space Opera, which is just as wonderful as everyone says it is.
You can listen to the first half of the show here.
In part two my guest was Natalie from TIGER (Teaching Individuals Gender Equality & Respect), a wonderful Bristol-based organisation that goes into schools and colleges teaching about gender stereotypes and how to resist them. TIGER has been running an art project with local young people that is going to be exhibited at Easton Community Centre for a month from the 19th. I will be one of the speakers at the launch event on the 18th. Natalie and I spent quite a bit of time talking about toxic masculinity and the need for a men’s movement to combat it. Obviously we also talked about those silly Trans Exclusionary people (who are neither Radical nor Feminist).
You can listen to the second hour of the show here.
The music for the show came entirely from Janelle Monae. I played the whole of (the clean version of) her new album, Dirty Computer. I make no apologies for that, it is all wonderful.
Something else I need to do on International Women’s Day is celebrate living women, and who better to chose for that than my friend Juliet E. McKenna whose books I am honored to publish. Here, therefore, is the cover of her new novel, The Green Man’s Heir, which will be available once I have got a proof back from the printers and checked that it is OK.
Juliet has written about some of the inspiration for the novel here.
And while I am mainly talking about women today I should add that Ben Baldwin, who provided the art for the book, and for Shadow Histories of the River Kingdom, is an absolute joy to work with.
For International Women’s Day I want to feature one of my favorite women from history, the hugely talented 17th Century painter, Artemisia Gentileschi. This picture (currently owned by the Queen) is probably a self-portrait. Much more importantly than that, however, it is a response to this picture by another Italian, Cesare Ripa.
That is from Ripa’s famous work, Iconologia, and it is intended to represent an allegory of “painting”. The woman in Gentileschi’s picture is a physical embodiment of that allegory, sharing many of the iconographic elements. But there is one symbol that she has chosen to omit. I think you can probably spot it.
Well played, Artemsia, well played.