Eastercon Saturday

Well that was a good day. I sold lots of books, and caught up with a bunch of old friends, many of whom I’d not seen since before the pandemic. Last year’s Eastercon felt a bit small and strained. This year feels like a proper convention again. Progress, I hope.

Also there were a bunch of good award winners, from some very strong fields. Most importantly, Aliette won the short fiction, so Asmodeus will not feel that he has to murder us.

Adventures in Publishing, Eastercon 2023 Edition

So, yes, I am at Eastercon. I also have a dealer table. This may come as a surprise to many. It certainly was to me. Here’s the story.

As you may remember, a few weeks back my car broke down. As I had no idea when I might get it back, and no other means of getting books to the con, I had to decide what to do about the dealer table. Farah told me that she had a waiting list for places and she needed to know as soon as possible. So, reluctantly, I relinquished the booking.

The plan had been to take a few books with me on the train, and I posted about that here. That was seen by Catherine Sharp who these days also lives in South Wales. She was due to be down my way last weekend, and she offered to ferry some books for me. I gratefully gave her a couple of boxes containing a selection of paperbacks.

On Tuesday I finally got the car back. It seemed to be running fine, but I had no time to give it a shake-down as I had a lot to do between then and the con. I was happy to still be traveling by train. In any case I had bought my ticket.

Yesterday morning I figured I should check the Transport for Wales website, because other people on the Eastercon Discord were reporting last-minute train issues. And lo, the train that Roz Clarke and I were planning to catch had been cancelled. This is the Heart of Wales line. There are only about 4 trains a day. It was either drive, or wait to the next day.

So I drove, and aside from the M42 it was a good trip. The car ran fine, and Roz & I arrived earier than we would have done had we caught the train.

This morning, after my first panel, I was looking round the Dealers’ Room and buying too many books. I found Farah who had said she might have some room on the SF Foundation table. It turned out she didn’t, but she did have a table that was unexpectedly free. I grabbed it. Catherine arrived with the books in the afternoon, and now I have a table set up to do business tomorrow.

Publishing it is not as easy as it seems.

Off to Luxembourg

Today I am heading to Birmingham for Eastercon, but that won’t be the end of my April travels. When I get back I have one day to get turned around and then I am off to Luxembourg where I will be a guest at Luxcon. I am very grateful to Jean Beurlet and the rest of the crew for the invitation. I’ll be traveling by train all the way, which means I should get a lot of reading done.

My Eastercon Schedule

The programme for this year’s Eastercon is now live. You can find my schedule here. And for those of you who don’t want to click through, here’s the list:

Friday, 7 April 2023 12:00 – SF In Antiquity

The strange and wonderful SFnal origins of the genre from bronze men in Greek myth to telescope viewings of men on the moon

Gladstone-Churchill Room, with: Clare Goodall, Chris McCartney, Marcus Rowland, The Fossil

Friday, 7 April 2023 16:30 – No Simple Binaries

Characters and settings who’ve just said ‘no’ to gender binaries. From Martha Wells’ Murderbot to Ursula LeGuin’s Gethenians and Mary Gentle’s Ortheans; a look at the history and future of non-binary characters (and where the human non-binary characters are)

Gladstone-Churchill Room, with Sandra Bond, Juliet Kemp, Mike Brooks, Edmund Schluessel

Sunday, 9 April 2023 12:00 – Non-European Middle Ages

Eurocentric lore has been a goldmine for fantasy and historical fiction writers. But what was the rest of the world doing?

Balmoral (ex-Earls) Room, with David Stokes (Guardbridge Books), Oghenechovwe Ekpeki, Stew Hotston, Gillian Polack

Sunday, 9 April 2023 15:00 – Who, Why and What do we Award?

The role of awards in fandom ecology and SFF economy

Salisbury-Wellington Room, with Niall Harrison, Nick Hubble, Nicholas Whyte, Gareth Worthington

Monday, 10 April 2023 12:00 – Travelling Fans

Fans travel a long way to go to conventions, especially Worldcons. International exchanges help build fan communities, but how important are they in the virtual modern world? And how environmentally sustainable?

Sandringham (ex-Dukes) Room, with Carolina Gómez Lagerlöf, Marcin Alqua Klak, Angeli Primlani, Suzanne Tompkins

In addition to those, and not yet on the convention website, I believe that I’m also involved in this:

Saturday, 8 April 2023 16:30 – Book Launch: Roz Kaveney’s Rhapsody of Blood Volume 5

Roz Kaveney’s extraordinary Rhapsody of Blood series reaches volume five, released in April 2023. Join us to celebrate the launch.

Pavilion Room, with Roz Kaveney

Also, please remember that, due to a lack of a working car, I won’t have a table in the Dealers’ Room. If you want a book from Wizard’s Tower, please let me know in advance so that I know to bring it with me.

My Octocon Schedule

The lovely Irish people have been very kind to me this year. You can catch up on my interview with translator, Julia Meitov Hersey, and on the launch event for Juliet McKenna’s The Green Man’s Gift, via their Twitch stream. The convention itself is just a week away, and the programme for the weekend has been released. It is a hybrid event and I’m part of the online entertainment. Here’s what I will be doing.

Saturday, 15 October – 17:30

Found in Translation – There’s so much amazing SFF we would love to read but that wasn’t written in a language we know. Fortunately, translators can bring those stories to us by choosing just the right words to convey the nuances and flavour of the landscapes, characters, and dialogue of worlds beyond our experience. Our panel discusses the secrets behind the linguistic alchemy of translation. With Jean Bürlesk, Faranae (M) & Julia Meitov Hersey.

Sunday, 16 October – 10:00

Monarchy and Nepotism in Fact and Fiction – “Strange women lying in ponds distributing swords is no basis for a system of government.” Divine right, heroic lineages, secret legacies and cronyism are all often used to explain why a character is important within a story, whether they – or the audience – know about their birthright or not. But considering we find it hard to tolerate these ideas in our own societies, what are the alternatives in fiction to the random lottery of inherited power, wealth and privilege? With Jean Bürlesk, Aliette de Bodard, Ian Moore & Gillian Polack. I am moderating.

Memberships, both virtual and in-person, are still available from the convention website. A virtual membership is only €20.

Octocon Presents (me)


I’m delighted to report that, on Tuesday September 20th, I will be participating in the Octocon Presents programme for 2022. This is a series of online events leading up this this year’s Irish National Science Fiction Convention. I will be talking to Julia Meitov Hersey, a translator who works with Russian language books. She is the translator for Ukrainian authors, Maryna and Serhiy Dyachenko, and the winner of last year’s Rosetta Award for SF&F translation. The show starts at 8:00pm Irish time which, miraculously giving how stupid my government is, is exactly the same as British time.

My FantasyCon Schedule

As promised, here’s what I will be up to at FantasyCon:

Saturday 17th, 11:00 – Angry Robot Room – Non-fiction Genre Writing – Reviews and Critiques (with John Dodd (m), Maura McHugh, Steven Poore, Kit Power)

Saturday 17th, 16:00 – Atlantis 1 – Writing in Collaboration (with Emily Inkpen (m), Gary Couzens, LR Lam)

Sunday 18th, 10:00 – Atlantis 2 – Writing Older Characters – What happens when the chosen one grows up (with Jen Williams, Gabriela Houston, Liz Willams, WP Wiles)

If you are wondering about the writing in collaboration one, I’m told that the panel will encompass many different ways in which that happens and I’ll be talking about sensitivity reading.

I think this is the first time I’ve ever been put on an old person panel, though it looks like everyone else on it is younger than me (and in some cases a lot younger).

Hopefully I will see some of you there.

Westercon Updates

Westercon #74 starts tomorrow, and as always there are a few programme updates. In particular I’ve stepped in to moderate the Gulf Futurism panel because Cristina has been dragged away for other things. I know very little about SF&F from the Arab world, but I have some excellent panelists to talk to. Also I’m going to be interviewing Stark Holborn for the SF Westerns panel, because none of the other ornery varmints wanted to be on that panel.

Kevin tells me that membership sales are closed now, because the registration staff are to busy at-con. However, if anyone is desperate for a virtual membership, I’m sure I can sort that for you. The virtual program schedule is here, and anything listed here as being in the Blue Room is also being streamed.

Airship Nebula Ahoy!

The 2022 Nebula Conference starts tomorrow, with the award ceremony on Saturday evening (US time). Thankfully I don’t have to be up for that, but I am on programme.

Indie Publishing for LGBTQ+ Authors
Sat, May 21, 2022 6:00 AM to 7:00 AM
Indie publishing is a new frontier for many authors, but what does breaking into this space look like for members of the LGBTQ+ community? Join us for a discussion of ideas, advice, and the personal experiences of independently published queer authors.
With Maya MacGregor / M Evan MacGriogair, Sienna Tristen & Sarah Loch (M)

I hope to see some of you there.

My Eastercon Schedule

Just a couple of days to go now. The full programme for Eastercon has been released. I will be in the Dealers’ Room for most of the convention, but I am doing two panels (and moderating both of them). Here’s the details:

Publishing in the Pandemic
Saturday 16th; 10:30; Bleriot
The Covid-19 pandemic proved tough for publishing. Paper shortages, distribution issues, and alterations to working patterns all brought massive change to the industry. The panel discusses the good and bad, and what might last. With Tiffani Angus, Francesca Barbini, Marcus Gipps & Joanne Hall.

Reclaiming Ourselves: What Does It Mean To Reclaim Our Physical Bodies?
Sunday 17th; 10:30; Endeavour
Lockdown living meant seeing far fewer people face-to-face – which for some of us meant the opportunity to change how we dress, look, or otherwise engage with our bodies, relatively free from external judgement. (Plus, unable to get a haircut.) What can our responses to lockdown living tell us about our attitudes to our bodies and what we are ‘allowed’ to do with them? What about those of us who were already constrained in how we engaged with the physical world, eg through disability? With FD Lee, Stewart Hotston, Juliet E McKenna & Lee Swift.

A Weekend in Wales

Last weekend I finally managed to attend one of the writing retreats run by Jo Hall and Roz Clarke. It was held on what is basically a large farm near where Roz & Jo have their own farm. Details here.

The format of these retreats is very flexible, depending on who attends. Jo & Roz are very happy to do workshop type things if people want them, or they can do individual tuition, or they can just let us get on and write. This time turned out to be mostly the latter.

My own situation was that I had several story ideas that just needed time to turn into prose. I ended up writing two short stories, or at least producing first drafts thereof. Other attendees also seemed very busy and produced lots of words. I think we all went away happy.

I would have got more done had I not needed to spend part of Saturday in Carmarthen, but that was worthwhile too. That included a lovely run along the B4300 which follows the course of the River Tywi for much of its length. Sadly there are not many places to stop, and the one I did find had the view obscured by trees. (Sorry, Nicola).

The farm didn’t intrude much on us, though I will note that geese are indeed horrible (to everyone, but especially to large cats). Also the call of a peacock sounds very much like that of a cat in extreme pain.

Anyway, it was fun. Hopefully I can go again soon. Being away from the world for 4 days (wifi is very limited at the farm) was great.

One Night in Stratford #LGBTHM22

On Thursday evening I will once again be participating in the LGBT+ History Month event at the Shakepspeare’s Birthplace Trust in Stratford-on-Avon. Sadly I won’t be in Shakepeare’s birthplace this time, but a virtual event means that you folks can get to see me in action from all over the world.

The talk I’m doing for them is a short version of my “Girls on Stage” talk, focusing solely on the theatre of 16th and 17th Century England. So no Greeks or Kabuki in this one, but there is so much batshit genderqueer stuff in the plays of the period that there will be no trouble filling the time.

To give folks a flavour of what I’ll be talking about, I have done a blog post for the SBT website. You can find it here.

To book a free place for the entire programme, go here.

Girls On Stage: A Trailer #LGBTHM22

The fabulous Gigi from A New Normal asked me if I would mind doing a little chat for LGBT+ History Month. I suggested maybe a bit of a teaser to encourage people to attend my M Shed talk on cross-dressing in the theatre. So we did. Now it is online and you can watch it below.

And if that sparked your interest you can catch the whole talk here. It is on February 24th, and it starts at 7:00pm so it is convenient for some of you folks across the Pond too.

LGBT+ History Month is here

Yes, it is February again, which means I am going to be busy doing talks. There will be only two public ones this year, and both will feature my new theme for this year: crossdressing in the theatre. This was inspired by reading some great research on the boys who actually played women in Shakespeare’s plays. I hope that the Shakespeare’s Birthplace Trust would pick up on it, and they did. I will be part of an Outing the Past event on February 17th. See here for details.

One of the things that delighted me about this is that, in researching the talk, I discovered that our Will was really quite conservative. Other plays written by his contemporaries were much more queer, including some actual trans material.

I’m doing a related talk for my friends at M Shed Museum in Bristol. It turns out that they have a fine collection of Japanese prints, including a number of portraits of kabuki actors. Also they wanted a much longer talk, so this one will visit ancient Greece, mediaeval China and Japan as well as Elizabethan/Victorian England. It is on February 24th, and you can book here.

M Shed also has a bunch of other talks that I have helped curate, including ones by my friends Andrew Foyle and Norena Shopland, and one by a Chinese queer activist, Qiuyan Chen. Check out the What’s On listing for details.

There are, of course, talks happening all over the country. This year some of the hubs are doing in person events again, but I suspect that quite a few will be virtual still. You can find a list of all the events here.

I’m doing a bunch of talks for private clients too. That doesn’t mean I’m getting big bucks, it means it is for a local or company LGBT+ group and they want to restrict access to members. This is mainly repeats, but I’ll possibly be doing one for Trans Day of Visibility in March that might turn into next year’s public talk.

New Locus – Contains Me

A new issue of Locus was published yesterday, and it is probably the one that people most look forward to each year because it is the one that contains the Recommended Reading List. As usual, I had a part in choosing the books in some of the categories. There are a lot of other people involved, and nothing gets on the list just because I say so. Equally there are books I recommended that didn’t make it. No one is going to think the final list is perfect, but it contains a lot of very good books and stories. You can find the full list here.

This issue also contains an article by me. This coincidence is an artefact of the December Worldcon. I generally write them something about the WSFS Business Meeting, so if you have the magazine you can read that too. Liza and the team have my deepest sympathy for having to do a Worldcon report and the Recommended Reading List in the same issue.

Buy Me for Christmas


If you missed my HistFest talk on trans Romans first time around, you have a second chance. It will be available for a number of days over the holiday period. What’s more, for the ridiculously low sum of £8.68 (that’s £7.50 plus EventBrite fees) you get not just me, but five other great history talks by actual, genuine historians too. That has to be better than watching Christmas movies, right? If you would like to purchase access, you can do so here.

By the way, I don’t get a cut of this. I was paid a flat fee for creating the talk. But if you do watch my bit that will help encourage the lovely HistFest folks to commission more trans-related material, which would be a very good thing.

Worldcon Starts Tomorrow

Well that crept up on me. It is all too easy to miss the excitement when you don’t have to travel to the convention. But Worldcon does start tomorrow, and I have panels. The schedule that I was given is as follows:

  • Wednesday 15th 16:00, Kress Room: Fanzines and Meta Fandom
  • Thursday 16th 10:00, Kress Room: Planning and Running a Virtual Fan Event
  • Saturday 18th 10:00, Calvert Room: What Do We Look for in a Fanzine?

Those time are for Washington DC. For UK times add 5 hours.

The first two of those are definite. The Saturday one may not happen for me because it has not been scheduled as a virtual event. I don’t know how that managed to fall through the cracks, but watch this space.

Of course I will also be online on Saturday night because I have a Hugo to lose. I shall be sad for my CoNZealand Fringe pals, but Related Work is a very tough field this year.

By the way, I see that Twitter is busy discussing accessibility issues again this year. This is not good, obviously, but it is hard to see what can be done.

Worldcon facility contracts are a big deal and are generally signed soon after a Worldcon wins site selection. If the facility isn’t accessible at the point, there’s very little you can do.

So we should only be picking sites that are accessible. And people do ask questions about this at bidder presentation sessions, but there are lots of other things that people care about in terms of site selection. In any case, the bidders have probably taken the facility’s world about it being accessible, and haven’t sent a team of experts to inspect it.

OK, so maybe all bidders should be more responsible and ensure that their facilities are accessible before they start. But finding a local facility that is the right size and affordable is really hard, and fan groups are unlikely to decide not to bid if their accessibility isn’t up to scratch.

Besides which, they don’t have to care, in that they are only in this for one year, and if they screw up it doesn’t matter because it will be Worldcon that gets the bad rap, not the people who failed to run it well enough.

The bottom line is that accessibility is never going to be done right except by good fortune, or because we have a group of people who are responsible for running Worldcon year after year and see such issues as important.