Ian Sales’ SF Mistressworks blog is continuing to use some of my old reviews from Emerald City. Yesterday Ian posted my review of Kathleen Ann Goonan’s Queen City Jazz. This is the first in what I understand Kathy calls the “Nanotech Quartet”, but I prefer to call the “Flower Cities Quartet” because that reminds the reader of the most dramatic imagery from the books.
Re-reading the review, I am reminded that Goonan’s books are just the sort of thing that ought to be winning major awards, and not just in SF&F. Queen City Jazz works on many levels. It is a great story with well realized characters. It is an interesting exploration of the possible implications of futuristic technology. And it is so much more as well. If I was asked to provide a definition of great literature I’d say something along the lines that it isn’t enough to just be great fiction, you want a book where the more you know, the more you think about it, the more you get out of it. That’s absolutely true to Goonan’s work.
As I say in the review, there is an argument about literature being made in the book (and it shouldn’t surprise you to know that Gary Wolfe is also a great fan of Goonan’s work). The books are also deeply steeped in American history and culture. They are full of Mark Twain references, and each one focuses on a different variety of popular music. Sadly this probably got them marked out as “too American” for publishers over here to take a risk on, but if you have any interest in US culture they are well worth a read. I said at the end of the review that the book “had enough literary references in it to leave me feeling as ill-educated as I do after reading a Kim Newman novel”. I can’t put it any better than that, really.