One thought on “Metropolis: The Director’s Cut

  1. Some peculiar technical hair-splitting applies here.
    Unique masters were cut from different takes of the same scenes to be sent to different continents for duplication. One of my personal highlights of Aussiecon 1 was the party centering on the first-run print originally sent to Australia, containing scenes Forry Ackerman had never seen.
    In time, I expect to run into more detailed provenance of the Argentine (Argentinian?) print.

Comments are closed.